"Saint Nicolas, Op. 42: Nicolas and the Pickled Boys" by Benjamin Britten, Sir Peter Pears, Aldeburgh Festival Chorus, Boys From The Choir Of St. Mary-Le-Tower, Ipswich, The Aldeburgh Festival Orchestra was released on January 1, 1955. Saint Nicolas, Op. 42: Nicolas and the Pickled Boys is about six minutes long, preciously at 6:25, making this song fairly long compared to other songs. The song is number 7 out of 9 in Britten: St.Nicolas, Op.42 by Benjamin Britten, Sir Peter Pears, David Hemmings, Ralph Downes, Girls' Choir Of Sir John Leman School, Beccles, Boys' Choir Of Ipswich School Preparatory Department, Boys From The Choir Of St. Mary-Le-Tower, Ipswich, Aldeburgh Festival Choir, The Aldeburgh Festival Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Saint Nicolas, Op. 42: Nicolas and the Pickled Boys is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Saint Nicolas, Op. 42: Nicolas and the Pickled Boys by Benjamin Britten, Sir Peter Pears, Aldeburgh Festival Chorus, Boys From The Choir Of St. Mary-Le-Tower, Ipswich, The Aldeburgh Festival Orchestra is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Peter Grimes, Op. 33 / Act 1: "Now the Great Bear and Pleiades" | Benjamin Britten, Sir Peter Pears, Marion Studholme, Iris Kells, Raymond Nilsson, James Pease, Jean Watson, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden | E Minor | 1 | 9A | 132 BPM | ||
Prelude: 49th Parallel | Ralph Vaughan Williams, Northern Sinfonia of England/Bradley Creswick/Richard Hickox, Richard Hickox, Northern Sinfonia Of England | G Major | 1 | 9B | 84 BPM | ||
Daphnis et Chloé, M. 57 / Troisième partie: Danse générale | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | D♭ Minor | 4 | 12A | 173 BPM | ||
Divertimento on 'Sellinger's Round': II. A Lament (Andante espressivo) | Michael Tippett, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 0 | 5A | 69 BPM | ||
War Requiem, Op. 66 / Libera me: 6c. Let Us Sleep Now...In Paradisum | Benjamin Britten, Dietrich Fischer-Dieskau, Sir Peter Pears, Galina Vishnevskaya, Highgate School Choir, Simon Preston, London Symphony Chorus, The Bach Choir, Melos Ensemble, London Symphony Orchestra | A Major | 1 | 11B | 101 BPM | ||
Shéhérazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | G Major | 0 | 9B | 103 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E Major | 2 | 12B | 78 BPM |
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