"Variations on a Rococo Theme, Op. 33, TH. 57: Variazione VII e Coda: Allegro vivo" by Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 2000. With Variations on a Rococo Theme, Op. 33, TH. 57: Variazione VII e Coda: Allegro vivo being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Herbert von Karajan's "Karajan conducts Tchaikovsky" album is number 13 out of 69. On top of that, Germany appears to be the country where this track was created. The popularity of Variations on a Rococo Theme, Op. 33, TH. 57: Variazione VII e Coda: Allegro vivo is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Variations on a Rococo Theme, Op. 33, TH. 57: Variazione VII e Coda: Allegro vivo by Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan to be Vivace (lively and fast) because the track has a tempo of 168 BPM, a half-time of 84BPM, and a double-time of 336 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Souvenir de Florence, Op. 70, TH 118: III. Allegro moderato - Live from Verbier Festival / 2013 | Pyotr Ilyich Tchaikovsky, Leonidas Kavakos, Lisa Batiashvili, Antoine Tamestit, Blythe Teh Engstroem, Gautier Capuçon, Stephan Koncz | A Minor | 2 | 8A | 87 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: II. Quasi Adagio | Franz Liszt, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | A♭ Minor | 0 | 1A | 165 BPM | ||
Sibelius: Symphony No. 2 in D Major, Op. 43: II. Tempo andante, ma rubato | Jean Sibelius, Herbert von Karajan, Philharmonia Orchestra | D Minor | 1 | 7A | 81 BPM | ||
Piano Concerto No. 2 in G Minor, Op. 22, R. 190: 2. Allegro scherzando | Camille Saint-Saëns, Pascal Rogé, Royal Philharmonic Orchestra, Charles Dutoit | E♭ Major | 1 | 5B | 60 BPM | ||
Piano Concerto No.4 in G minor, Op.40: 2. Largo | Sergei Rachmaninoff, Vladimir Ashkenazy, London Symphony Orchestra, André Previn | C Major | 0 | 8B | 71 BPM | ||
Flute and Harp Concerto in C, K.299: II. Andantino | Fritz Helmis, Herbert von Karajan, Berliner Philharmoniker, James Galway | C Major | 1 | 8B | 117 BPM | ||
Symphony No. 8 in B Minor, D. 759 "Unfinished": 1. Allegro moderato | Franz Schubert, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 107 BPM | ||
Symphonie fantastique, Op. 14, H. 48: II. Un bal. Valse. Allegro non troppo | Hector Berlioz, Daniel Barenboim, Berliner Philharmoniker | A Major | 1 | 11B | 167 BPM | ||
Symphony No. 8 'Unfinished' (1996 - Remaster): I. Allegro moderato (opening) | Herbert von Karajan, Berliner Philharmoniker | G Major | 0 | 9B | 98 BPM | ||
Dvořák: The Water Goblin, Op. 107, B. 195: II. Andante mesto come prima | Antonín Dvořák, Sir Simon Rattle, Berliner Philharmoniker | A Minor | 0 | 8A | 86 BPM |
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