"Dvořák: The Water Goblin, Op. 107, B. 195: II. Andante mesto come prima" by Antonín Dvořák, Sir Simon Rattle, Berliner Philharmoniker was released on July 4, 2005. With this song being about 5 minutes long, at 4:53, "Dvořák: The Water Goblin, Op. 107, B. 195: II. Andante mesto come prima" by Antonín Dvořák, Sir Simon Rattle, Berliner Philharmoniker is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 13 out of 15 in Dvorák: Tone Poems by Antonín Dvořák, Sir Simon Rattle, Berliner Philharmoniker. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Dvořák: The Water Goblin, Op. 107, B. 195: II. Andante mesto come prima is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dvořák: The Water Goblin, Op. 107, B. 195: II. Andante mesto come prima by Antonín Dvořák, Sir Simon Rattle, Berliner Philharmoniker is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Pieces, Op. 51: 2. Prélude | Alexander Scriabin, Evgeny Kissin | F Major | 0 | 7B | 75 BPM | ||
Mussorgsky: Pictures at an Exhibition: No. 13, Cum mortuis in lingua mortua | Modest Mussorgsky, Berliner Philharmoniker, Sir Simon Rattle | F♯ Major | 0 | 2B | 75 BPM | ||
Suite in A Major 'American Suite', Op. 98b, B. 190: Suite in A Major 'American Suite', Op. 98b, B. 190: I. Andante con moto | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | A Major | 0 | 11B | 157 BPM | ||
Symphony No. 5 In B-Flat, Op. 100: 2. Allegro marcato | Sergei Prokofiev, Berliner Philharmoniker, Herbert von Karajan | E♭ Minor | 0 | 2A | 75 BPM | ||
Symphony No. 4: II. In gemächlicher Bewegung. Ohne Hast | Gustav Mahler, Berliner Philharmoniker, Yannick Nézet-Séguin | C Major | 0 | 8B | 135 BPM | ||
Beethoven: Symphony No. 8 in F Major, Op. 93: I. Allegro vivace e con brio | Ludwig van Beethoven, Wiener Philharmoniker, Sir Simon Rattle | F Major | 2 | 7B | 155 BPM | ||
Daphnis et Chloé, M. 57 / Première partie: Danse légère et gracieuse de Daphnis - Assez lent - Animé - Vif | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | B♭ Minor | 0 | 3A | 93 BPM | ||
Images: No. 2. Iberia: Par les rues et par les chemins - | Claude Debussy, Orchestre National De Lyon, Jun Markl | F Minor | 1 | 4A | 176 BPM | ||
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (d) Wieder zurückhaltend | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker | F♯ Major | 0 | 2B | 144 BPM | ||
Klid, Op. 68, No. 5, B. 182, "Silent Woods": Klid (Silent Woods), Op. 68, No. 5, B. 182 | Antonín Dvořák, Dmitry Yablonsky, Russian Philharmonic Orchestra | B Minor | 1 | 10A | 82 BPM |
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