"Piano Concerto No.4 in G minor, Op.40: 2. Largo" by Sergei Rachmaninoff, Vladimir Ashkenazy, London Symphony Orchestra, André Previn was released on January 1, 1972. Since Piano Concerto No.4 in G minor, Op.40: 2. Largo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "Rachmaninov: Piano Concertos Nos. 1-4". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Piano Concerto No.4 in G minor, Op.40: 2. Largo is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No.4 in G minor, Op.40: 2. Largo by Sergei Rachmaninoff, Vladimir Ashkenazy, London Symphony Orchestra, André Previn having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Impromptu "Nocturne", S. 191 | Franz Liszt, Vladimir Horowitz | D♭ Minor | 2 | 12A | 70 BPM | ||
Nocturne No. 9 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 56 BPM | ||
Images: No. 2. Iberia: Par les rues et par les chemins - | Claude Debussy, Orchestre National De Lyon, Jun Markl | F Minor | 1 | 4A | 176 BPM | ||
Preludes and Fugues for Piano, Op.87: Prelude & Fugue No.4 in E minor: Prelude | Dmitri Shostakovich, Vladimir Ashkenazy | E Minor | 0 | 9A | 66 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Das Tanzlied - Das Nachtlied | Richard Strauss, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 100 BPM | ||
Études-tableaux, Op. 39: No. 2, Lento assai | Sergei Rachmaninoff, Boris Giltburg | A Minor | 0 | 8A | 65 BPM | ||
Prokofiev: Piano Concerto No. 3 in C Major, Op. 26: II. Andantino con variazioni | Sergei Prokofiev, Evgeny Kissin, Vladimir Ashkenazy, Philharmonia Orchestra | C Major | 1 | 8B | 81 BPM | ||
Piano Sonata No.1 in F minor, Op.6: 1. Allegro con fuoco | Alexander Scriabin, Vladimir Ashkenazy | A♭ Major | 1 | 4B | 135 BPM | ||
The Throne Room and End Title | John Williams, London Symphony Orchestra | C Major | 4 | 8B | 58 BPM | ||
French Suite No. 6 in E, BWV 817: 6. Bourrée | Johann Sebastian Bach, Vladimir Ashkenazy | D♭ Minor | 2 | 12A | 119 BPM |
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