"Études-tableaux, Op. 39: No. 2, Lento assai" by Sergei Rachmaninoff, Boris Giltburg was released on May 6, 2016. Études-tableaux, Op. 39: No. 2, Lento assai is about six minutes long, preciously at 6:05, making this song fairly long compared to other songs. There are a total of 15 in the song's album "Rachmaninoff: Études-tableaux, Op. 39 & 6 Moments musicaux, Op. 16". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Hong Kong. Études-tableaux, Op. 39: No. 2, Lento assai is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Études-tableaux, Op. 39: No. 2, Lento assai by Sergei Rachmaninoff, Boris Giltburg having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | ||
Images - Book 1, L. 110: III. Mouvement | Claude Debussy, Arturo Benedetti Michelangeli | A Major | 0 | 11B | 126 BPM | ||
La separation, Nocturne in F Minor | Mikhail Glinka, Victor Ryabchikov | F Minor | 1 | 4A | 72 BPM | ||
Debussy: Piano Trio in G Major, L. 5: I. Andantino con moto allegro | Claude Debussy, Bertrand Chamayou | C Major | 1 | 8B | 80 BPM | ||
Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff) | Wilhelm Kempff, Christoph Willibald Gluck, Idil Biret | F Major | 0 | 7B | 81 BPM | ||
10 Pieces, Op. 12: No. 7. Prelude | Sergei Prokofiev, Olli Mustonen | C Major | 1 | 8B | 77 BPM | ||
13 Pieces, Op. 76: No. 7 Affettuoso | Jean Sibelius, Håvard Gimse | E♭ Major | 0 | 5B | 102 BPM | ||
Suite No. 2 for 2 Pianos, Op. 17: III. Romance | Sergei Rachmaninoff, Daniil Trifonov, Sergei Babayan | D Minor | 3 | 7A | 92 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Romances, Op. 16, TH 95: 1. Berceuse | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | E Major | 0 | 12B | 68 BPM |
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