Charles Gounod, Samuel Ramey, Renée Fleming, Richard Leech, The Metropolitan Opera, Julius Rudel's 'Faust, CG 4 / Act IV: Alerte, alerte! (Rev. 1869) - Live' came out on January 13, 2023. The duration of Faust, CG 4 / Act IV: Alerte, alerte! (Rev. 1869) - Live is about 3 minutes long, at 3:09. Based on our data, "Faust, CG 4 / Act IV: Alerte, alerte! (Rev. 1869) - Live" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Renée Fleming, The Metropolitan Opera's "Her Greatest Moments at the MET" album is number 11 out of 32. On top of that, United States appears to be the country where this track was created. Based on our statistics, Faust, CG 4 / Act IV: Alerte, alerte! (Rev. 1869) - Live's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Faust, CG 4 / Act IV: Alerte, alerte! (Rev. 1869) - Live by Charles Gounod, Samuel Ramey, Renée Fleming, Richard Leech, The Metropolitan Opera, Julius Rudel to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Marche funebre d'une marionnette (Funeral March of a Marionette) | Charles Gounod, Slovak Radio Symphony Orchestra, Peter Breiner | A Major | 0 | 11B | 75 BPM | ||
Petite Symphonie in B flat for 9 Wind Instruments: 1. Adagio et Allegretto | Charles Gounod, Saint Paul Chamber Orchestra, Christopher Hogwood | B♭ Major | 0 | 6B | 135 BPM | ||
Vocalise, Op. 34, No. 14 (Arr. for Cello and Piano) | Sergei Rachmaninoff, Lynn Harrell, Vladimir Ashkenazy | D♭ Minor | 0 | 12A | 93 BPM | ||
Als die alte Mutter | Victoria de los Ángeles | D Major | 2 | 10B | 81 BPM | ||
Piano Concerto No. 2 in D Minor, Op. 40, MWV O11: II. Adagio - Molto sostenuto | Felix Mendelssohn, Benjamin Frith, Slovak State Philharmonic Orchestra, Kosice, Robert Stankovsky | B♭ Major | 0 | 6B | 131 BPM | ||
Thaïs / Act II: Méditation (Arr. for Violin and Piano by Martin Marsick, Adapted for Cello and Piano by Mischa Maisky) | Jules Massenet, Mischa Maisky, Lily Maisky | D Major | 1 | 10B | 70 BPM | ||
Pie Jesu | Andrew Lloyd Webber, Anna Netrebko | A♭ Major | 0 | 4B | 78 BPM | ||
Sadko: Hindu Song (arr. N. Mercz): Hindu Song from the Opera 'Sadko' | Nora Mercz, Nikolai Rimsky-Korsakov, Janos Balint | F Major | 0 | 7B | 65 BPM | ||
Handel: Rinaldo, HWV 7, Act 2: "Lascia ch'io pianga" (Almirena) | George Frideric Handel, Joyce DiDonato, Maxim Emelyanychev, Il Pomo D'oro | B Major | 4 | 1B | 129 BPM | ||
Chopin: Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Frédéric Lodéon, François-René Duchâble | E♭ Major | 2 | 5B | 76 BPM |
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