Thaïs / Act II: Méditation (Arr. for Violin and Piano by Martin Marsick, Adapted for Cello and Piano by Mischa Maisky) - Jules Massenet, Mischa Maisky, Lily Maisky Information

Acousticness: 95%
Danceability: 8%
Energy: 9%
Instrumentalness: 92%
Liveness: 9%
Loudness: 65%
Speechiness: 4%
Valence: 4%
Popularity: 26%
Loudness: -20.89 dB

Summary

"Thaïs / Act II: Méditation (Arr. for Violin and Piano by Martin Marsick, Adapted for Cello and Piano by Mischa Maisky)" by Jules Massenet, Mischa Maisky, Lily Maisky was released on August 17, 2018. With this song being about 5 minutes long, at 5:29, "Thaïs / Act II: Méditation (Arr. for Violin and Piano by Martin Marsick, Adapted for Cello and Piano by Mischa Maisky)" by Jules Massenet, Mischa Maisky, Lily Maisky is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 14 in Adagietto by Mischa Maisky, Lily Maisky. Thaïs / Act II: Méditation (Arr. for Violin and Piano by Martin Marsick, Adapted for Cello and Piano by Mischa Maisky) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Thaïs / Act II: Méditation (Arr. for Violin and Piano by Martin Marsick, Adapted for Cello and Piano by Mischa Maisky) BPM

The tempo marking of Thaïs / Act II: Méditation (Arr. for Violin and Piano by Martin Marsick, Adapted for Cello and Piano by Mischa Maisky) by Jules Massenet, Mischa Maisky, Lily Maisky is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Thaïs / Act II: Méditation (Arr. for Violin and Piano by Martin Marsick, Adapted for Cello and Piano by Mischa Maisky) Key

This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Fauré / Transc. Büsser: 3 Mélodies, Op. 7: No. 1, Après un rêve	Gabriel Fauré, Gautier Capuçon, Douglas Boyd, Orchestre de chambre de Paris	F Minor	1	4A	83 BPM
Vocalise, Op. 34, No. 14 (Arr. for Cello and Piano)	Sergei Rachmaninoff, Lynn Harrell, Vladimir Ashkenazy	D♭ Minor	0	12A	93 BPM
Five Pieces For Violin And Piano: I. Elegia (Andante Larghetto)	Valentin Silvestrov, Duo Gazzana	E♭ Major	0	5B	74 BPM
Werther: Act IV: Ecoute bien! La-bas, au fond du cimetiere	Jules Massenet, Georges Thill, Ninon Vallin, Paris National Opera Chorus, Paris National Opera Orchestra, Elie Cohen	D♭ Major	2	3B	90 BPM
Five Pieces For Two Violins and Piano: I. Prelude	Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan	G Major	0	9B	85 BPM
Peer Gynt, Op. 23 / Act III: Solveig's Song (Arr. for Cello and Piano by Georg Goltermann)	Edvard Grieg, Mischa Maisky, Lily Maisky	B♭ Major	1	6B	135 BPM
Martynov: "Come in!", Movement II	Vladimir Martynov, Gidon Kremer	A Major	1	11B	82 BPM
Valse Fantaisie, Op.49	Raoul Koczalski, Ingolf Wunder	B Minor	0	10A	66 BPM
Violin Concerto No. 1 in D Major: II. Andante	Florence Beatrice Price, Er-Gene Kahng, Ryan Cockerham, The Janacek Philharmonic	B♭ Major	1	6B	79 BPM
Cello Sonata in B-Flat Major, Op. 46: II. Andante sostenuto	Louise Farrenc, David Berlin, Benjamin Martin	E♭ Major	0	5B	116 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 1.1393530368804932

End: 1.142998456954956