Charles Gounod, Slovak Radio Symphony Orchestra, Peter Breiner's 'Marche funebre d'une marionnette (Funeral March of a Marionette)' came out on October 1, 2010. Marche funebre d'une marionnette (Funeral March of a Marionette) is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. Because this song is the only song in Gounod: Funeral March of a Marionette and no other songs are present in the album, we classify this track as a single. On top of that, United States appears to be the country where this track was created. Marche funebre d'une marionnette (Funeral March of a Marionette) is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Marche funebre d'une marionnette (Funeral March of a Marionette) by Charles Gounod, Slovak Radio Symphony Orchestra, Peter Breiner to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Saint-Saëns: Symphony No. 3 in C Minor, Op. 78, "Organ": Maestoso - Allegro | Camille Saint-Saëns, Orchestre Du Capitole De Toulouse, Michel Plasson, Orchestre National Du Capitole De Toulouse | C Major | 4 | 8B | 98 BPM | ||
Bach, JS: Brandenburg Concerto No. 3 in G Major, BWV 1048: II. Adagio & III. Allegro | Johann Sebastian Bach, Alison Bury, Orchestra of the Age of Enlightenment | F♯ Major | 6 | 2B | 127 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): The Hunters approach with their guns | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 106 BPM | ||
The Planets, Op. 32: 4. Jupiter, the Bringer of Jollity | Gustav Holst, Los Angeles Philharmonic, Zubin Mehta | G Minor | 3 | 6A | 135 BPM | ||
Tannhauser: Overture | Richard Wagner, Slovak Philharmonic, Michael Halasz | B Major | 0 | 1B | 98 BPM | ||
Capriol Suite: 4. Bransles | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 2 | 9B | 156 BPM | ||
God of Justice, Thou who saved us when in deepest bondage cast (Serbia) (arr. P. Breiner): Serbia ["God of Justice; Thou who saved us when in deepest bondage cast…"] | Slovak Radio Symphony Orchestra, Peter Breiner | B♭ Major | 1 | 6B | 65 BPM | ||
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | E Major | 2 | 12B | 95 BPM | ||
Shéhérazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | G Major | 0 | 9B | 103 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163 (Arr. P. Breiner for Piano): III. Allegretto grazioso | Antonín Dvořák, Peter Breiner | G Major | 1 | 9B | 179 BPM |
Section: 0.8032195568084717
End: 0.806565523147583