Marin Marais, François Joubert-Caillet, L'Achéron's '[Suite en sol mineur]: VII. Menuet (No. 69)' came out on June 9, 2023. With [Suite en sol mineur]: VII. Menuet (No. 69) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Marin Marais, François Joubert-Caillet, L'Achéron's "Marais: Cinquième livre de pièces de viole" album is number 33 out of 112. On top of that, Belgium appears to be the country where this track was created. [Suite en sol mineur]: VII. Menuet (No. 69) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of [Suite en sol mineur]: VII. Menuet (No. 69) by Marin Marais, François Joubert-Caillet, L'Achéron to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia per violoncello in G Minor: II. Allegro | Giovanni Bononcini, Marco Ceccato, Accademia Ottoboni | A♭ Minor | 1 | 1A | 73 BPM | ||
A Sonata of Scots Tunes: O Mother what shall I do - Ettrick Banks - She Rose and let me in | James Oswald, Orpheus Musicus, Laura Martinez Boj, Sergio Suárez | D♭ Major | 1 | 3B | 87 BPM | ||
Guitar Quintet No. 7 in E Minor, G. 451: II. Adagio | Luigi Boccherini, José Miguel Moreno, La Real Cámara | F Major | 2 | 7B | 106 BPM | ||
La Mallassis - Sarabande | Hopkinson Smith, Charles Mouton | F Minor | 0 | 4A | 76 BPM | ||
Te Deum, H. 146: I. Prélude | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | C Major | 4 | 8B | 101 BPM | ||
Deuxième Suite in G Major: IV. La Leclair - Très vivement et détaché | Antoine Forqueray, Jean-Baptiste Forqueray, Michèle Dévérité, Kaori Uemura, Ricardo Rodríguez | F♯ Major | 1 | 2B | 77 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: III. Ayre | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Lachrimae Antiquae from Lachrimae, or Seaven Teares | John Dowland, Fretwork, Christopher Wilson | G Minor | 0 | 6A | 97 BPM | ||
Diporti di Euterpe, Op. 7: Lagrime mie | Barbara Strozzi, Paul Beier, Emanuela Galli, Ensemble Galilei | E♭ Minor | 0 | 2A | 105 BPM | ||
Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture | Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques | B♭ Major | 3 | 6B | 128 BPM |
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