Giovanni Bononcini, Marco Ceccato, Accademia Ottoboni made "Sinfonia per violoncello in G Minor: II. Allegro" available on April 15, 2022. With Sinfonia per violoncello in G Minor: II. Allegro being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 25 in Bononcini: Cello Sonatas by Marco Ceccato, Accademia Ottoboni. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Sinfonia per violoncello in G Minor: II. Allegro is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Sinfonia per violoncello in G Minor: II. Allegro by Giovanni Bononcini, Marco Ceccato, Accademia Ottoboni is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'orfeo: Orfeo, tu dormi | Antonio Sartorio, Anastasia Kobekina, Kammerorchester Basel | F♯ Major | 2 | 2B | 142 BPM | ||
Quatrième suite in A Minor: No. 7, Muzette II | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 1 | 4B | 130 BPM | ||
Christ lag in Todesbanden: I. Sonata | Johann Kuhnau, Paul Agnew, Les Arts Florissants | E Major | 4 | 12B | 101 BPM | ||
Sonata terza a violoncello solo e basso continuo: III. Largo | Giovanni Benedetto Platti, Hanna Salzenstein, Thibaut Roussel, Albéric Boullenois | D♭ Minor | 6 | 12A | 157 BPM | ||
Sonata IV: III. Adagio | Antonio Maria Bononcini, Marco Ceccato, Accademia Ottoboni | B Minor | 3 | 10A | 86 BPM | ||
Fantazia I, Z. 732 | Henry Purcell, John Holloway, Monika Baer, Martin Zeller | D♭ Minor | 1 | 12A | 162 BPM | ||
Divertimento da camera No. 7 in E Minor: II. Andante ma non presto | Giovanni Bononcini, Stagione Armonica, La, Sergio Balestracci | F♯ Major | 1 | 2B | 109 BPM | ||
Flute Sonata in E Minor, H. 551: II. Allegro | Carl Philipp Emanuel Bach, Accademia Ottoboni, Manuel Granatiero | E♭ Minor | 1 | 2A | 120 BPM | ||
Corollarium. Canzon à 5 | Johann Hermann Schein, Ricercar Consort, Philippe Pierlot | G Minor | 2 | 6A | 117 BPM | ||
Quatrième suite in A Minor: No. 1, Prélude | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Minor | 1 | 1A | 86 BPM |
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