Carl Philipp Emanuel Bach, Accademia Ottoboni, Manuel Granatiero made "Flute Sonata in E Minor, H. 551: II. Allegro" available on November 11, 2022. With Flute Sonata in E Minor, H. 551: II. Allegro being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Carl Philipp Emanuel Bach, Accademia Ottoboni, Manuel Granatiero's "Light and Darkness - C.P.E. Bach: Flute Sonatas" album is number 14 out of 15. On top of that, France appears to be the country where this track was created. Based on our statistics, Flute Sonata in E Minor, H. 551: II. Allegro's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Flute Sonata in E Minor, H. 551: II. Allegro by Carl Philipp Emanuel Bach, Accademia Ottoboni, Manuel Granatiero to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in A Major for Two Violins and Bass Continuo: II. Untitled | John Blow, Palladian Ensemble | E Major | 1 | 12B | 133 BPM | ||
Concerto VII in F Major: IV. Allegro | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | F Major | 2 | 7B | 109 BPM | ||
Sonata in A Minor, QV 2:41a/b: IV. Allegro | Johann Joachim Quantz, Ensemble Zefiro, Alfredo Bernardini | F♯ Minor | 3 | 11A | 105 BPM | ||
The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": II. Largo e pianissimo sempre | Antonio Vivaldi, Anima Musicæ Chamber Orchestra | D♭ Minor | 0 | 12A | 101 BPM | ||
Sonata in E Minor, Op. 5, No. 8 (arr. W. Babell): I. Preludio: Largo | William Babell, Arcangelo Corelli, Stefan Temmingh, Olga Watts | E♭ Minor | 2 | 2A | 110 BPM | ||
Symphony in A Major, H. 660, Wq. 182/4: I. Allegro ma non troppo | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Mayumi Hirasaki | D♭ Major | 1 | 3B | 140 BPM | ||
Hexachordum Apollinis: No. 4 in G Minor, Aria & 6 Variations, P. 196 | Johann Pachelbel, Enrico Bissolo | E Minor | 3 | 9A | 74 BPM | ||
Concerto for 2 Oboes, Strings and String Orchestra in C Major, Op. 7 No. 2: II. Adagio | Tomaso Albinoni, I Solisti Di Perugia, Claudio Brizi, Thomas Indermühle, Jacques Tys, Rino Vernizzi, Frederico del Sordo | C Major | 2 | 8B | 153 BPM | ||
Bassoon Concerto in C Major, RV 474: II. Largo | Antonio Vivaldi, Sophie Dervaux, La Folia Barockorchester | C Major | 0 | 8B | 102 BPM | ||
Scarlatti, D: Keyboard Sonata in G Major, Kk. 235 | Domenico Scarlatti, Scott Ross | F♯ Major | 5 | 2B | 68 BPM |
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