Luigi Boccherini, José Miguel Moreno, La Real Cámara made "Guitar Quintet No. 7 in E Minor, G. 451: II. Adagio" available on July 1, 2014. Guitar Quintet No. 7 in E Minor, G. 451: II. Adagio is about six minutes long, preciously at 6:28, making this song fairly long compared to other songs. The song is number 2 out of 7 in Boccherini: Guitar Quintets by Luigi Boccherini, José Miguel Moreno, La Real Cámara. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. In terms of popularity, Guitar Quintet No. 7 in E Minor, G. 451: II. Adagio is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Guitar Quintet No. 7 in E Minor, G. 451: II. Adagio by Luigi Boccherini, José Miguel Moreno, La Real Cámara is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Guitar Quintet No. 7 in E Minor, G. 451: II. Adagio | Luigi Boccherini, José Miguel Moreno, La Real Cámara | F Major | 2 | 7B | 106 BPM | ||
Psyche, Act I Scene 1: Symphony of rustick musick representing an eccho | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Concerto di Flauti, S.D945: III. Presto | Alessandro Marcello, Dorothee Oberlinger | G Major | 1 | 9B | 143 BPM | ||
Cello Sonata in C Minor, G. 2: II. Largo | Luigi Boccherini, Christian Benda, Sebastian Benda | C Minor | 1 | 5A | 88 BPM | ||
Fantasía | José Miguel Moreno | E Major | 1 | 12B | 114 BPM | ||
Preludio in fantasia | Nicola Matteis, Gli Incogniti, Amandine Beyer | A♭ Minor | 2 | 1A | 95 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 6, La noble fierté | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Notturno, Op. 17 | Søffren Degen, Michael Kevin Jones, Agustín Maruri | D Major | 0 | 10B | 91 BPM | ||
Sonate en Sol Mineur, Op. 1 No. 3: I. Adagio | Jean-François Dandrieu, Le Consort, Justin Taylor | D♭ Minor | 5 | 12A | 95 BPM | ||
Preludes, Op. 28: No. 20 in C Minor, B. 107 (Arr. for Cello Quartet by Piotr Moss) | Frédéric Chopin, Polish Cello Quartet | D♭ Minor | 0 | 12A | 124 BPM |
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