On August 23, 2019, the song "Sonate en Sol Mineur, Op. 1 No. 3: I. Adagio" was released by Jean-François Dandrieu, Le Consort, Justin Taylor. With Sonate en Sol Mineur, Op. 1 No. 3: I. Adagio being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 37 in the song's album "Opus 1: Dandrieu - Corelli". In this album, this song's track order is #1. Furthermore, we believe that the track originated from France. In terms of popularity, Sonate en Sol Mineur, Op. 1 No. 3: I. Adagio is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Sonate en Sol Mineur, Op. 1 No. 3: I. Adagio by Jean-François Dandrieu, Le Consort, Justin Taylor having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in E-Flat Major, Op. 7 No. 6 "Il Pianto d'Arianna": IV. Grave | Pietro Locatelli, Isabelle Faust, Il Giardino Armonico, Giovanni Antonini | D Major | 1 | 10B | 134 BPM | ||
Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM | ||
Psyche, Act I: Overture | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Violin Sonata No. 5 in G Major: IV. Aria | Élisabeth Jacquet de La Guerre, David Plantier, Daniela Dolci | D♭ Minor | 1 | 12A | 109 BPM | ||
Concerti a più istrumenti in F Major, Op. 6 No. 6, I. Allegro | Evaristo Felice Dall'Abaco, Davide Monti, Il Tempio Armonico, Orchestra Barocca di Verona, Alberto Rasi | E Major | 3 | 12B | 120 BPM | ||
Sinfonia a quattro: I. Allegro assai | František Tůma, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
6 Violin Sonatas: Sonata No. 1 in D Minor: VI. Aria | Élisabeth Jacquet de La Guerre, Sophie de Bardonnèche, Justin Taylor | C Minor | 3 | 5A | 76 BPM | ||
Prelude & Fughetta in D Minor, BWV 899 | Johann Sebastian Bach, Justin Taylor | D♭ Minor | 5 | 12A | 106 BPM | ||
Concerto 2 in D Major, Op. 7: I. Adagio | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | A♭ Major | 1 | 4B | 191 BPM | ||
Concerto in D Major, Op. 6 No. 6: III. Adagio | Charles Avison, Café Zimmermann | F Major | 5 | 7B | 107 BPM |
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