"6 Violin Sonatas: Sonata No. 1 in D Minor: VI. Aria" by Élisabeth Jacquet de La Guerre, Sophie de Bardonnèche, Justin Taylor was released on March 15, 2024. With this song being about 5 minutes long, at 5:15, "6 Violin Sonatas: Sonata No. 1 in D Minor: VI. Aria" by Élisabeth Jacquet de La Guerre, Sophie de Bardonnèche, Justin Taylor is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in Elisabeth Jacquet de la Guerre: Sonate pour violon et basse continue No. 1 in D Minor: VI. Aria and no other songs are present in the album, we classify this track as a single. 6 Violin Sonatas: Sonata No. 1 in D Minor: VI. Aria is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 6 Violin Sonatas: Sonata No. 1 in D Minor: VI. Aria by Élisabeth Jacquet de La Guerre, Sophie de Bardonnèche, Justin Taylor is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonate en Do Majeur, Op. 4 No. 1: I. Preludio largo | Arcangelo Corelli, Le Consort, Justin Taylor | B♭ Minor | 2 | 3A | 133 BPM | ||
6 Concerti Armonici / No. 5 in F Minor: IV. A tempo giusto | Unico Wilhelm van Wassenaer, I Musici | E♭ Major | 3 | 5B | 115 BPM | ||
Scylla et Glaucus, Op. 11: Prologue. Air gracieux pour les Peuples d’Amathonte | Jean-Marie Leclair, d’Albaret, Orfeo Orchestra, Gyorgy Vashegyi | A♭ Minor | 0 | 1A | 133 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: Ballo: II. Allegro | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Sonata da camera in G Minor, "O Haupt voll Blut und Wunden": III. Adagio | Johann Gottlieb Janitsch, Il Gardellino | E Major | 1 | 12B | 101 BPM | ||
Céphale et Procris, Act II Scene 5: Marche | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | F Minor | 1 | 4A | 75 BPM | ||
Concerto grosso No. 6 in D Major: II. Con furia (After D. Scarlatti's Kk. 29) [1] | Charles Avison, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 139 BPM | ||
Trio Sonata in C Minor, BuxWV 262: I. Poco adagio | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM | ||
Pièces de clavecin, Premier Livre, Suite en Ré Mineur: IX. Menuet (et son double composé par Marie van Rhijn) | Marie van Rhijn, Élisabeth Jacquet de La Guerre | B Major | 3 | 1B | 103 BPM | ||
Symphony in E Minor, H. 652, Wq. 177: II. Andante moderato | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg Kallweit | B♭ Minor | 1 | 3A | 112 BPM |
Section: 0.96517014503479
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