Preludes, Op. 28: No. 20 in C Minor, B. 107 (Arr. for Cello Quartet by Piotr Moss) - Frédéric Chopin, Polish Cello Quartet Information

Acousticness: 91%
Danceability: 28%
Energy: 5%
Instrumentalness: 93%
Liveness: 10%
Loudness: 55%
Speechiness: 5%
Valence: 28%
Popularity: 0%
Loudness: -26.841 dB

Summary

Frédéric Chopin, Polish Cello Quartet's 'Preludes, Op. 28: No. 20 in C Minor, B. 107 (Arr. for Cello Quartet by Piotr Moss)' came out on January 5, 2024. The duration of Preludes, Op. 28: No. 20 in C Minor, B. 107 (Arr. for Cello Quartet by Piotr Moss) is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Preludes, Op. 28: No. 20 in C Minor, B. 107 (Arr. for Cello Quartet by Piotr Moss)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 15 in Chopin Project by Frédéric Chopin, Polish Cello Quartet. Going off of the ISRC code of this track, we detected that the origin of this track is from Poland. Based on our statistics, Preludes, Op. 28: No. 20 in C Minor, B. 107 (Arr. for Cello Quartet by Piotr Moss)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Preludes, Op. 28: No. 20 in C Minor, B. 107 (Arr. for Cello Quartet by Piotr Moss) BPM

The tempo marking of Preludes, Op. 28: No. 20 in C Minor, B. 107 (Arr. for Cello Quartet by Piotr Moss) by Frédéric Chopin, Polish Cello Quartet is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.

Preludes, Op. 28: No. 20 in C Minor, B. 107 (Arr. for Cello Quartet by Piotr Moss) Key

D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Les berceaux, Op. 23, No. 1	Gabriel Fauré, Mischa Maisky, Daria Hovora	C Minor	0	5A	87 BPM
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220	Carl Philipp Emanuel Bach, Ana-Marija Markovina	F Minor	2	4A	76 BPM
Lyric Pieces, Book 1, Op. 12: I. Arietta	Edvard Grieg, Javier Perianes	B♭ Major	0	6B	72 BPM
Rachmaninov: 10 Preludes, Op. 23: No. 5 in G Minor	Sergei Rachmaninoff, Nikolai Lugansky	G Minor	1	6A	113 BPM
3 Pieces, Op. 2: No. 1 in C-Sharp Minor	Alexander Scriabin, Garrick Ohlsson	D♭ Minor	0	12A	128 BPM
Solfeggio in C Minor, Wq. 117/2, H. 220	Carl Philipp Emanuel Bach, Matthias Veit	F Minor	1	4A	77 BPM
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": 2. Adagio un poco mosso	Ludwig van Beethoven, Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle	B Major	0	1B	85 BPM
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2	Felix Mendelssohn, Péter Nagy	F♯ Minor	1	11A	166 BPM
Inquietude, Op. 100, No. 18	Franz Burgmüller	A Minor	3	8A	115 BPM
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1	Carl Maria von Weber, Michael Endres	C Major	0	8B	134 BPM

ISRC: PLB352332607
Label: L-M Records/RCA Records

Section: 0.637639045715332

End: 0.6414027214050293