"Les berceaux, Op. 23, No. 1" by Gabriel Fauré, Mischa Maisky, Daria Hovora was released on May 16, 2020. The duration of Les berceaux, Op. 23, No. 1 is about 3 minutes long, at 3:07. Based on our data, "Les berceaux, Op. 23, No. 1" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 96 in the song's album "Romantic Vol.2". In this album, this song's track order is #56. Furthermore, we believe that the track originated from Germany. Les berceaux, Op. 23, No. 1 is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les berceaux, Op. 23, No. 1 by Gabriel Fauré, Mischa Maisky, Daria Hovora having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Siete canciones populares españolas: No. 5 Nana | Manuel de Falla, Amy Dickson | A Major | 0 | 11B | 69 BPM | ||
Cello Sonata, FP 143: Cavatine: Tres calme | Francis Poulenc, Françoise Groben, Alexandre Tharaud | B♭ Minor | 0 | 3A | 122 BPM | ||
Du bist die Ruh, Op. 59/3, D. 776 | Franz Schubert, Mischa Maisky, Daria Hovora | E♭ Major | 0 | 5B | 67 BPM | ||
Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
La Fille Aux Cheveux De Lin, L. 117 | Claude Debussy, Ezio Bosso | F♯ Major | 0 | 2B | 90 BPM | ||
組曲「ドリー」 Op.56: III. ドリーの庭 | Gabriel Fauré, 原博巳, 大石将紀, 貝沼拓実, 伊藤富美恵 | E♭ Major | 0 | 5B | 68 BPM | ||
Piano Concerto No. 23 in A Major, K. 488: 2. Adagio | Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | F♯ Minor | 0 | 11A | 108 BPM | ||
Quatre Mélodies op.13: 2. Sérénade (Jean Lahor) | Ernest Chausson, Mischa Maisky, Daria Hovora | G Minor | 0 | 6A | 91 BPM | ||
Mazurka in A Minor, Op. 17 No. 4 | Frédéric Chopin, Khatia Buniatishvili | A Minor | 0 | 8A | 173 BPM | ||
Cello Sonata No. 1 in E Minor, Op. 38: III. Allegro - Più presto | Johannes Brahms, Mischa Maisky, Pavel Gililov | G Major | 0 | 9B | 72 BPM |
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