"Donizetti: Lucia di Lammermoor, Act 3: "Tu che a Dio spiegasti l'ali" (Edgardo, Raimondo, Chorus)" by Gaetano Donizetti, Jesús López-Cobos, Joseph Calleja, Münchener Opernchor, Münchener Opernorchester, Nicolas Teste was released on November 21, 2014. With this song being about 5 minutes long, at 4:58, "Donizetti: Lucia di Lammermoor, Act 3: "Tu che a Dio spiegasti l'ali" (Edgardo, Raimondo, Chorus)" by Gaetano Donizetti, Jesús López-Cobos, Joseph Calleja, Münchener Opernchor, Münchener Opernorchester, Nicolas Teste is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 36 out of 36 in Donizetti: Lucia di Lammermoor by Gaetano Donizetti, Diana Damrau, Jesús López-Cobos, Münchener Opernorchester. Based on our statistics, Donizetti: Lucia di Lammermoor, Act 3: "Tu che a Dio spiegasti l'ali" (Edgardo, Raimondo, Chorus)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Donizetti: Lucia di Lammermoor, Act 3: "Tu che a Dio spiegasti l'ali" (Edgardo, Raimondo, Chorus) by Gaetano Donizetti, Jesús López-Cobos, Joseph Calleja, Münchener Opernchor, Münchener Opernorchester, Nicolas Teste is Allegro (fast, quick, and bright), since this song has a tempo of 141 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Anne Sofie von Otter, Francisco Araiza, Cheryl Studer, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Jeffrey Tate | G Major | 3 | 9B | 140 BPM | ||
Lucia di Lammermoor (1997 Digital Remaster): Percorrete...Percorriamo..le spiaggie vicine | Gaetano Donizetti, Mario Carlin, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, RIAS Sinfonie-Orchester Berlin, Herbert von Karajan | B♭ Major | 3 | 6B | 106 BPM | ||
Il barbiere di Siviglia / Act 1: "Largo al factotum" | Gioachino Rossini, Leo Nucci, Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè | G Major | 2 | 9B | 69 BPM | ||
Anna Bolena / Act 1: "Si taciturna e mesta" | Gaetano Donizetti, Dame Joan Sutherland, Susanne Mentzer, Bernadette Manca Di Nissa, Welsh National Opera Orchestra, Richard Bonynge | F Major | 0 | 7B | 106 BPM | ||
Puccini: Tosca / Act 2 - "Vissi d'arte, vissi d'amore" | Kiri Te Kanawa, National Philharmonic Orchestra, Sir Georg Solti | E♭ Major | 2 | 5B | 92 BPM | ||
Norma (1997 - Remaster), Act II, Scene 3: Deh! non volerli vittime (Coro/Norma/Pollione/Oroveso) | Vincenzo Bellini, Maria Callas, Franco Corelli, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano, Orchestra Del Teatro Alla Scala Di Milan | A Minor | 3 | 8A | 82 BPM | ||
Madama Butterfly / Act 2: Una nave da guerra...Scuoti quelle fronda | Giacomo Puccini, Fiorenza Cossotto, Renata Tebaldi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | A Major | 2 | 11B | 83 BPM | ||
Lucia di Lammermoor / Act 2: "Soffriva nel pianto" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D Major | 4 | 10B | 108 BPM | ||
Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | ||
Vissi D'arte - Tosca Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM |
Section: 0.6064596176147461
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