"Gloria in D, R.589: 6. Domine Deus, Rex Coelestis" by Antonio Vivaldi, Judith Nelson, Academy of Ancient Music, Simon Preston was released on January 1, 1997. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Vivaldi: Gloria/Nisi Dominus/4 Cantatas etc. by Antonio Vivaldi, Emma Kirkby, Catherine Bott, Judith Nelson, James Bowman, Carolyn Watkinson, Simon Standage, Catherine Mackintosh, Christ Church Cathedral Choir, Oxford, Academy of Ancient Music, Simon Preston, Christopher Hogwood. The song's track number on the album is #6 out of 30 tracks. Gloria in D, R.589: 6. Domine Deus, Rex Coelestis is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Gloria in D, R.589: 6. Domine Deus, Rex Coelestis by Antonio Vivaldi, Judith Nelson, Academy of Ancient Music, Simon Preston has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Gloria in D, R.589: 6. Domine Deus, Rex Coelestis being at 86 BPM, the half-time would be 43 BPM with a double-time of 172 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cleofide: Act II Scene 4: Aria: Generoso rifuegliati, o core (Poro) | Johann Adolf Hasse, Emma Kirkby, Agnes Mellon, Randalk K. Wong, Derek Lee Ragin, Dominique Visse, David Cordier, Rheinische Kantorei, Cappella Coloniensis, William Christie | A♭ Major | 2 | 4B | 143 BPM | ||
Couperin, F: Première leçon de ténèbres pour le Mercredi saint: II. Aleph | François Couperin, William Christie, Sophie Daneman, Les Arts Florissants | D♭ Minor | 2 | 12A | 93 BPM | ||
Missa Dolorosa: IV. Sanctus | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Te Deum, H. 146: III. Te aeternum Patrem | Marc-Antoine Charpentier, Véronique Gens, William Christie, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré | D♭ Major | 3 | 3B | 116 BPM | ||
Bassoon Concerto No. 12 in A Minor, RV 499: 3: Allegro | Antonio Vivaldi, Daniel Smith, English Chamber Orchestra, Philip Ledger, Thomas Martin | F Major | 3 | 7B | 122 BPM | ||
Telemann: Jesus liegt in letzten Zügen, TWV 1:983: No. 3, Arie. "Mein liebster Heiland" | Georg Philipp Telemann, Philippe Jaroussky, Petra Mullejans, Freiburger Barockorchester | A♭ Major | 0 | 4B | 83 BPM | ||
Concerto grosso In B Minor, Op.3/10 , RV 580: 2. Largo - Larghetto - Largo | Antonio Vivaldi, Orpheus Chamber Orchestra, Eriko Sato, Guillermo Figueroa, Liang Ping How, Joanna Jenner, Eric Bartlett, Edward Brewer | F♯ Minor | 1 | 11A | 152 BPM | ||
Dido and Aeneas / Act I: "Ah! Belinda, I Am Press'd" ... "When Monarchs Unite, How Happy" | Henry Purcell, The English Concert, Trevor Pinnock, Anne Sofie von Otter, Lynne Dawson, The English Concert Choir | B Minor | 0 | 10A | 75 BPM | ||
Magnificat, W. E22: Et misericordia eius (Chorus) | Johann Christian Bach, Elisabeth Scholl, Ruth Sandhoff, Andreas Karasiak, Gotthold Schwarz, Dresden Chamber Choir, La Stagione Frankfurt, Michael Schneider | B Major | 3 | 1B | 64 BPM | ||
Deborah, HWV 51: Part I: Chorus - Let thy deeds be glorious | George Frideric Handel, Natacha Ducret, Elisabeth Scholl, Ewa Wolak, Lawrence Zazzo, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini | A Minor | 0 | 8A | 172 BPM |
Section: 0.5741698741912842
End: 0.5778930187225342