"Couperin, F: Première leçon de ténèbres pour le Mercredi saint: II. Aleph" by François Couperin, William Christie, Sophie Daneman, Les Arts Florissants was released on January 1, 1997. The duration of Couperin, F: Première leçon de ténèbres pour le Mercredi saint: II. Aleph is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Couperin, F: Première leçon de ténèbres pour le Mercredi saint: II. Aleph's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 22 in Couperin : Leçons de Ténèbres by François Couperin, William Christie, Les Arts Florissants. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Couperin, F: Première leçon de ténèbres pour le Mercredi saint: II. Aleph is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Couperin, F: Première leçon de ténèbres pour le Mercredi saint: II. Aleph by François Couperin, William Christie, Sophie Daneman, Les Arts Florissants is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Charpentier : Médée, Prologue: Passepied | Marc-Antoine Charpentier, William Christie, Les Arts Florissants | A Major | 2 | 11B | 136 BPM | ||
Te Deum laudamus pour deux choeurs et basse continue: I. Te Deum Laudamus | Domenico Scarlatti, Vox Luminis, Lionel Meunier | F♯ Major | 1 | 2B | 169 BPM | ||
Madrigali a cinque voci, Libro sesto (1611): O dolce mio tesoro | Carlo Gesualdo, Collegium Vocale Gent, Philippe Herreweghe | A♭ Minor | 1 | 1A | 70 BPM | ||
Dixit Dominus, HWV 232: Virgam virtutis tuae | George Frideric Handel, Angela Kazimierczuk, Richard Wyn Roberts, English Baroque Soloists, John Eliot Gardiner | D♭ Minor | 2 | 12A | 146 BPM | ||
Giulio Cesare, HWV 17: Act II - "V'adoro pupille" | Simone Kermes | E Major | 1 | 12B | 101 BPM | ||
St. John Passion, BWV 245: Part II: Chorale: Ach Herr, lass dein lieb Engelein (Chorus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D Major | 2 | 10B | 173 BPM | ||
Pieces de clavecin, Book 2, 6th Ordre: Les baricades misterieuses (arr. Y. Imamura) | François Couperin, Yasunori Imamura | A♭ Minor | 1 | 1A | 113 BPM | ||
Les Nations - Second Ordre - L'Espagnole; 6. Gigue Lourée | Jordi Savall, François Couperin | B Minor | 2 | 10A | 80 BPM | ||
Requiem: Requiem: I. Introitus. Requiem aeternam. II. Kyrie | Johann Christian Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | F Major | 2 | 7B | 83 BPM | ||
Concerts royaux, Concerto No. 2 in D Major: V. Échos | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM |
Section: 0.6930639743804932
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