Variations on an Original Theme, Op. 36 "Enigma": Theme (Andante)
Edward Elgar, Philharmonia Orchestra, Giuseppe Sinopoli
Elgar: Cello Concerto op.85 · Enigma Variations · Pomp and Circumstance 1 & 4
1:33 January 1, 2003
BPM
92
Key
G Major
Camelot
9B

Embed

Share Link

Variations on an Original Theme, Op. 36 "Enigma": Theme (Andante) - Edward Elgar, Philharmonia Orchestra, Giuseppe Sinopoli Information

Acousticness
96%
Danceability
13%
Energy
1%
Instrumentalness
78%
Liveness
26%
Loudness
49%
Speechiness
5%
Valence
4%
Popularity
Loudness
-30.53 dB

Summary

"Variations on an Original Theme, Op. 36 "Enigma": Theme (Andante)" by Edward Elgar, Philharmonia Orchestra, Giuseppe Sinopoli was released on January 1, 2003. With Variations on an Original Theme, Op. 36 "Enigma": Theme (Andante) being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 21 in Elgar: Cello Concerto op.85 · Enigma Variations · Pomp and Circumstance 1 & 4 by Edward Elgar, Mischa Maisky, Giuseppe Sinopoli, Philharmonia Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Variations on an Original Theme, Op. 36 "Enigma": Theme (Andante) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Variations on an Original Theme, Op. 36 "Enigma": Theme (Andante) BPM

The tempo marking of Variations on an Original Theme, Op. 36 "Enigma": Theme (Andante) by Edward Elgar, Philharmonia Orchestra, Giuseppe Sinopoli is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Variations on an Original Theme, Op. 36 "Enigma": Theme (Andante) Key

G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Il barbiere di Siviglia / Act 1: No.2 Cavatina: Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum"Gioachino Rossini, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion MarinC Major38B148 BPM
Symphony No. 6 in B Minor, Op. 74, TH 30 Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique": II. Allegro con graziaPyotr Ilyich Tchaikovsky, Leningrad Philharmonic Orchestra, Evgeny MravinskyD Major110B85 BPM
Fauré: Élégie, Op. 24 (Orchestral Version) by Gabriel Fauré, Paavo Järvi, Orchestre de ParisFauré: Élégie, Op. 24 (Orchestral Version)Gabriel Fauré, Paavo Järvi, Orchestre de ParisA♭ Major04B89 BPM
Pride and Prejudice Suite: III. Elizabeth and Mr. Darcy by Carl Davis, Philharmonia OrchestraPride and Prejudice Suite: III. Elizabeth and Mr. DarcyCarl Davis, Philharmonia OrchestraE Major112B85 BPM
Variations On An Original Theme, Op.36 Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante)Edward Elgar, BBC Symphony Orchestra, Leonard BernsteinB♭ Major06B82 BPM
Pelléas et Mélisande, Op.80: 6. Molto adagio by Gabriel Fauré, Boston Symphony Orchestra, Seiji OzawaPelléas et Mélisande, Op.80: 6. Molto adagioGabriel Fauré, Boston Symphony Orchestra, Seiji OzawaD Minor07A82 BPM
Variations on a Theme by Haydn, Op. 56a, Variations on a Theme by Haydn, Op. 56a, "St. Anthony Variations": Thema, "Chorale St. Antoni": AndanteJohannes Brahms, London Philharmonic Orchestra, Marin AlsopF♯ Major32B125 BPM
Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity (Excerpt) by Gustav Holst, Philharmonia Orchestra, Sir Simon RattleHolst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity (Excerpt)Gustav Holst, Philharmonia Orchestra, Sir Simon RattleC Minor35A127 BPM
Après un rêve, Op. 7 No. 1 (Arr. Katims) by Gabriel Fauré, Lynn Harrell, Bruno CaninoAprès un rêve, Op. 7 No. 1 (Arr. Katims)Gabriel Fauré, Lynn Harrell, Bruno CaninoF Minor04A104 BPM
Symphony No. 3 in C Minor, Op. 78 Symphony No. 3 in C Minor, Op. 78 "Organ": I. AdagioCamille Saint-Saëns, Eugene Ormandy, Philadelphia OrchestraF Minor04A84 BPM
ISRC
DEF058731603
Label
L-M Records/RCA Records

Section: 0.6832363605499268

End: 0.686415433883667