Après un rêve, Op. 7 No. 1 (Arr. Katims)
Gabriel Fauré, Lynn Harrell, Bruno Canino
The World of Fauré
3:06 January 1, 1998
BPM
104
Key
F Minor
Camelot
4A

Embed

Share Link

Après un rêve, Op. 7 No. 1 (Arr. Katims) - Gabriel Fauré, Lynn Harrell, Bruno Canino Information

Acousticness
99%
Danceability
18%
Energy
4%
Instrumentalness
85%
Liveness
10%
Loudness
59%
Speechiness
4%
Valence
4%
Popularity
Loudness
-24.664 dB

Summary

"Après un rêve, Op. 7 No. 1 (Arr. Katims)" by Gabriel Fauré, Lynn Harrell, Bruno Canino was released on January 1, 1998. The duration of Après un rêve, Op. 7 No. 1 (Arr. Katims) is about 3 minutes long, at 3:06. Based on our data, "Après un rêve, Op. 7 No. 1 (Arr. Katims)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "The World of Fauré". In this album, this song's track order is #3. In terms of popularity, Après un rêve, Op. 7 No. 1 (Arr. Katims) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Après un rêve, Op. 7 No. 1 (Arr. Katims) BPM

With Après un rêve, Op. 7 No. 1 (Arr. Katims) by Gabriel Fauré, Lynn Harrell, Bruno Canino having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Après un rêve, Op. 7 No. 1 (Arr. Katims) Key

This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
4 Romantic Pieces, Op. 75, B.150: 1. Allegro moderato by Antonín Dvořák, Akiko Suwanai, Boris Berezovsky4 Romantic Pieces, Op. 75, B.150: 1. Allegro moderatoAntonín Dvořák, Akiko Suwanai, Boris BerezovskyD♭ Major03B74 BPM
Carmen Fantasy, Op. 25: Introduction. Allegro moderato by Pablo de Sarasate, Itzhak Perlman, New York Philharmonic, Zubin MehtaCarmen Fantasy, Op. 25: Introduction. Allegro moderatoPablo de Sarasate, Itzhak Perlman, New York Philharmonic, Zubin MehtaD Minor17A108 BPM
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) by Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano)Gabriel Fauré, Jesper Svedberg, Simon Crawford-PhillipsA Major011B79 BPM
Piano Concerto No. 1 in E Minor, Op. 11: II. Larghetto by Frédéric Chopin, Martha Argerich, Charles Dutoit, Orchestre Symphonique de MontréalPiano Concerto No. 1 in E Minor, Op. 11: II. LarghettoFrédéric Chopin, Martha Argerich, Charles Dutoit, Orchestre Symphonique de MontréalB Major01B75 BPM
Liebestraum No. 3 in A-Flat, S. 541: Liebestraum No. 3 in A-Flat, S. 541 - Live by Franz Liszt, Lang LangLiebestraum No. 3 in A-Flat, S. 541: Liebestraum No. 3 in A-Flat, S. 541 - LiveFranz Liszt, Lang LangA♭ Major14B123 BPM
Concerto grosso in B minor, Op. 6, No. 12: 3. Larghetto, e piano by George Frideric Handel, Michel Schwalbé, Hanns-Joachim Westphal, Ottomar Borwitzky, Edith Picht-Axenfeld, Herbert von Karajan, Karl Scheit, Friedrich Fischer, Berliner PhilharmonikerConcerto grosso in B minor, Op. 6, No. 12: 3. Larghetto, e pianoGeorge Frideric Handel, Michel Schwalbé, Hanns-Joachim Westphal, Ottomar Borwitzky, Edith Picht-Axenfeld, Herbert von Karajan, Karl Scheit, Friedrich Fischer, Berliner PhilharmonikerG Major29B85 BPM
Concerto en ré mineur, BWV 974: II. Adagio by Johann Sebastian Bach, Alexandre TharaudConcerto en ré mineur, BWV 974: II. AdagioJohann Sebastian Bach, Alexandre TharaudD Minor27A85 BPM
Beau Soir, L.6 (Arr. Gretchaninov) by Claude Debussy, Lynn Harrell, Bruno CaninoBeau Soir, L.6 (Arr. Gretchaninov)Claude Debussy, Lynn Harrell, Bruno CaninoF♯ Minor011A90 BPM
Violin Concerto No.1 in G minor, Op.26: 3. Finale (Allegro energico) by Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville MarrinerViolin Concerto No.1 in G minor, Op.26: 3. Finale (Allegro energico)Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville MarrinerG Major29B91 BPM
Schubert: Ave Maria, D. 839, Schubert: Ave Maria, D. 839, "Ellens Gesang III" (Arr. for Violin and Instrumental Ensemble by Mikhail Parhamovsky)Franz Schubert, Maxim Vengerov, Vag Papian, Virtuosi, Mikhail ParhamovskyC Major18B127 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7053213119506836

End: 0.7110090255737305