"Après un rêve, Op. 7 No. 1 (Arr. Katims)" by Gabriel Fauré, Lynn Harrell, Bruno Canino was released on January 1, 1998. The duration of Après un rêve, Op. 7 No. 1 (Arr. Katims) is about 3 minutes long, at 3:06. Based on our data, "Après un rêve, Op. 7 No. 1 (Arr. Katims)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "The World of Fauré". In this album, this song's track order is #3. In terms of popularity, Après un rêve, Op. 7 No. 1 (Arr. Katims) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Après un rêve, Op. 7 No. 1 (Arr. Katims) by Gabriel Fauré, Lynn Harrell, Bruno Canino having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Romantic Pieces, Op. 75, B.150: 1. Allegro moderato | Antonín Dvořák, Akiko Suwanai, Boris Berezovsky | D♭ Major | 0 | 3B | 74 BPM | ||
Carmen Fantasy, Op. 25: Introduction. Allegro moderato | Pablo de Sarasate, Itzhak Perlman, New York Philharmonic, Zubin Mehta | D Minor | 1 | 7A | 108 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Piano Concerto No. 1 in E Minor, Op. 11: II. Larghetto | Frédéric Chopin, Martha Argerich, Charles Dutoit, Orchestre Symphonique de Montréal | B Major | 0 | 1B | 75 BPM | ||
Liebestraum No. 3 in A-Flat, S. 541: Liebestraum No. 3 in A-Flat, S. 541 - Live | Franz Liszt, Lang Lang | A♭ Major | 1 | 4B | 123 BPM | ||
Concerto grosso in B minor, Op. 6, No. 12: 3. Larghetto, e piano | George Frideric Handel, Michel Schwalbé, Hanns-Joachim Westphal, Ottomar Borwitzky, Edith Picht-Axenfeld, Herbert von Karajan, Karl Scheit, Friedrich Fischer, Berliner Philharmoniker | G Major | 2 | 9B | 85 BPM | ||
Concerto en ré mineur, BWV 974: II. Adagio | Johann Sebastian Bach, Alexandre Tharaud | D Minor | 2 | 7A | 85 BPM | ||
Beau Soir, L.6 (Arr. Gretchaninov) | Claude Debussy, Lynn Harrell, Bruno Canino | F♯ Minor | 0 | 11A | 90 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 3. Finale (Allegro energico) | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 2 | 9B | 91 BPM | ||
Schubert: Ave Maria, D. 839, "Ellens Gesang III" (Arr. for Violin and Instrumental Ensemble by Mikhail Parhamovsky) | Franz Schubert, Maxim Vengerov, Vag Papian, Virtuosi, Mikhail Parhamovsky | C Major | 1 | 8B | 127 BPM |
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