"Concerto grosso in B minor, Op. 6, No. 12: 3. Larghetto, e piano" by George Frideric Handel, Michel Schwalbé, Hanns-Joachim Westphal, Ottomar Borwitzky, Edith Picht-Axenfeld, Herbert von Karajan, Karl Scheit, Friedrich Fischer, Berliner Philharmoniker was released on January 1, 1991. Concerto grosso in B minor, Op. 6, No. 12: 3. Larghetto, e piano is about six minutes long, preciously at 5:59, making this song fairly long compared to other songs. The track order of this song in George Frideric Handel, Leon Spierer, Michel Schwalbé, Hanns-Joachim Westphal, Ottomar Borwitzky, Friedrich Fischer, Fritz Helmes, Edith Picht-Axenfeld, Karl Scheit, Berliner Philharmoniker, Herbert von Karajan's "Handel: Concerti grossi Op.6" album is number 20 out of 62. On top of that, Germany appears to be the country where this track was created. Concerto grosso in B minor, Op. 6, No. 12: 3. Larghetto, e piano is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto grosso in B minor, Op. 6, No. 12: 3. Larghetto, e piano by George Frideric Handel, Michel Schwalbé, Hanns-Joachim Westphal, Ottomar Borwitzky, Edith Picht-Axenfeld, Herbert von Karajan, Karl Scheit, Friedrich Fischer, Berliner Philharmoniker to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Symphony No. 2 In D, Op. 73: 2. Adagio non troppo - L'istesso tempo, ma grazioso | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | B Major | 1 | 1B | 108 BPM | ||
Violin Concerto in A Minor, Op. 53, B. 108: III. Finale (Allegro giocoso, ma non troppo) | Antonín Dvořák, Anne-Sophie Mutter, Berliner Philharmoniker, Manfred Honeck | A Major | 2 | 11B | 96 BPM | ||
Albinoni: Oboe Concerto in D Minor, Op. 9 No. 2: II. Adagio | Tomaso Albinoni, Pierre Pierlot, Claudio Scimone, I Solisti Veneti | B♭ Major | 2 | 6B | 72 BPM | ||
Die Schöpfung, Hob. XXI:2 / Zweiter Teil: 26. Chor: "Vollendet ist das große Werk" - 27. Terzett: "Zu dir, o Herr" - 28. Chor: "Vollendet ist das große Werk" | Franz Joseph Haydn, Gundula Janowitz, Werner Krenn, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein | E♭ Major | 3 | 5B | 109 BPM | ||
Serenade for strings in E Minor, Op. 20 | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 1 | 9A | 81 BPM | ||
Oboe Concerto in B-Flat Major, Op. 9, No. 11: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 3 | 6B | 104 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
Concerto grosso in E minor , Op. 3/4 , RV 550: 3. Adagio | Antonio Vivaldi, Michel Schwalbé, Thomas Brandis, Leon Spierer, Hans-Joachim Westphal, Eberhard Finke, Horst Gobel, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 83 BPM | ||
Valse triste, Op.44/1 | Jean Sibelius, Herbert von Karajan, Berliner Philharmoniker | G Major | 0 | 9B | 89 BPM | ||
管弦楽組曲第3番ニ長調BWV1068 ガヴォット I/II | ベルリン フィルハーモニー管弦楽団, Edith Picht-Axenfeld, カールハインツ・ツェラー | D Major | 4 | 10B | 146 BPM |
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