"Albinoni: Oboe Concerto in D Minor, Op. 9 No. 2: II. Adagio" by Tomaso Albinoni, Pierre Pierlot, Claudio Scimone, I Solisti Veneti was released on January 1, 1968. Albinoni: Oboe Concerto in D Minor, Op. 9 No. 2: II. Adagio is about six minutes long, preciously at 6:06, making this song fairly long compared to other songs. The song is number 8 out of 18 in Albinoni: Concertos pour hautbois, violon et continuo, Op. 9 Nos. 1 - 6 by Tomaso Albinoni, Pierre Pierlot, Piero Toso, I Solisti Veneti, Claudio Scimone. Albinoni: Oboe Concerto in D Minor, Op. 9 No. 2: II. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Albinoni: Oboe Concerto in D Minor, Op. 9 No. 2: II. Adagio by Tomaso Albinoni, Pierre Pierlot, Claudio Scimone, I Solisti Veneti is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Du bist die Ruh, Op. 59/3, D. 776 | Franz Schubert, Mischa Maisky, Daria Hovora | E♭ Major | 0 | 5B | 67 BPM | ||
Trumpet Tune in C Major, ZT 697 (Arr. for Brass Ensemble and Organ) | Henry Purcell, The Michael Laird Brass Ensemble, Peter Hurford | D Major | 1 | 10B | 99 BPM | ||
I. Overture: II. Rondo | Henry Purcell, Raymond Leppard, English Chamber Orchestra | D Minor | 3 | 7A | 100 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 1 in C major, BWV 846 | Luc Beauséjour | B Major | 3 | 1B | 78 BPM | ||
Vivaldi: Concerto for Two Mandolins in G Major, RV 532: II. Andante | Antonio Vivaldi, Europa Galante, Fabio Biondi, Giovanni Scaramuzzino, Sonia Maurer | B Minor | 0 | 10A | 132 BPM | ||
Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: No. 1 in E Major, Op. 19, No. 1 | Felix Mendelssohn, Péter Nagy | A Major | 0 | 11B | 85 BPM | ||
Solomon, HWV 67: Sinfonia "Arrival of the Queen of Sheba" | George Frideric Handel, Raymond Leppard, English Chamber Orchestra | B♭ Major | 3 | 6B | 119 BPM | ||
Clarinet Concerto in A, K622: 2. Adagio | Wolfgang Amadeus Mozart, Emma Johnson, English Chamber Orchestra, Raymond Leppard | A♭ Major | 0 | 4B | 120 BPM | ||
Cello Concerto in A major, Wq. 172: Cello Concerto in A major, Wq. 172: I. Allegro di molto | Carl Philipp Emanuel Bach, Alison McGillivray, The English Concert | A♭ Major | 1 | 4B | 120 BPM | ||
String Quartet No. 1 in D Major, Op. 11, TH 111: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, Heath Quartet | A Minor | 1 | 8A | 82 BPM |
Section: 0.700937032699585
End: 0.7049896717071533