"Liebestraum No. 3 in A-Flat, S. 541: Liebestraum No. 3 in A-Flat, S. 541 - Live" by Franz Liszt, Lang Lang was released on January 1, 2007. With this song being about 5 minutes long, at 4:43, "Liebestraum No. 3 in A-Flat, S. 541: Liebestraum No. 3 in A-Flat, S. 541 - Live" by Franz Liszt, Lang Lang is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "The Magic of Lang Lang". In this album, this song's track order is #7. Based on our statistics, Liebestraum No. 3 in A-Flat, S. 541: Liebestraum No. 3 in A-Flat, S. 541 - Live's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Liebestraum No. 3 in A-Flat, S. 541: Liebestraum No. 3 in A-Flat, S. 541 - Live by Franz Liszt, Lang Lang having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto, No. 1 in G-Minor, op. 26: I. Prelude: Allegro moderato | Philharmonia Slavonica, Alberto Lizzio, Helena Spitkova | C Minor | 1 | 5A | 107 BPM | ||
Berceuse, Op. 16 (Version For Violin And Piano) | Gabriel Fauré, Dong-Suk Kang, Pascal Devoyon | D Major | 0 | 10B | 174 BPM | ||
Bizet / Arr Waxman: Carmen Fantasia | Franz Waxman, Georges Bizet, Maxim Vengerov, Zubin Mehta, Israel Philharmonic Orchestra | D Major | 1 | 10B | 107 BPM | ||
The Banquet: 10. Exile To Snowy West | Tan Dun, Lang Lang, Shanghai Symphony Orchestra, Shanghai Percussion Ensemble, Gao Jian | E Minor | 3 | 9A | 80 BPM | ||
Piano Concerto in A minor, Op. 16: 2. Adagio - attacca | Edvard Grieg, Lilya Zilberstein, Gothenburg Symphony Orchestra, Neeme Järvi | D♭ Major | 0 | 3B | 135 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | D Major | 1 | 10B | 114 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Salute D'Amour | Edward Elgar, Ilmar Lapinsch, Mostar Sinfonie Orchester | E Major | 1 | 12B | 128 BPM |
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