"Violin Concerto, No. 1 in G-Minor, op. 26: I. Prelude: Allegro moderato" by Philharmonia Slavonica, Alberto Lizzio, Helena Spitkova was released on 1990. Since Violin Concerto, No. 1 in G-Minor, op. 26: I. Prelude: Allegro moderato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Philharmonia Slavonica, Royal Philharmonic Orchestra's "Music For The Millions Vol. 4 - Bruch / Mahler" album is number 1 out of 5. In terms of popularity, Violin Concerto, No. 1 in G-Minor, op. 26: I. Prelude: Allegro moderato is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Violin Concerto, No. 1 in G-Minor, op. 26: I. Prelude: Allegro moderato by Philharmonia Slavonica, Alberto Lizzio, Helena Spitkova to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata in A major, FWV 8: I. Allegretto ben moderato | César Franck, Joshua Bell, Jeremy Denk | A Major | 0 | 11B | 66 BPM | ||
Three Romances for Violin & Piano, Op. 22: III. Leidenschaftlich schnell | Clara Schumann, Nurit Stark, Cédric Pescia | G Major | 1 | 9B | 89 BPM | ||
Cuadros de una exposición para orquesta: No. 7, Limoges - La plaza del mercado | Orquesta Filarmónica de Slavonia, Alberto Lizzio | E♭ Major | 4 | 5B | 111 BPM | ||
Iphigenie in Tauris - Ouvertüre | Camerata Romana, Alberto Lizzio | C Major | 1 | 8B | 95 BPM | ||
" Faust " , Ballettmusik: Nr. 5 Moderato con moto | Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt | A Major | 0 | 11B | 80 BPM | ||
Holberg Suite, Op. 40: I. Prelude (Version for Strings) | Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti | G Major | 1 | 9B | 74 BPM | ||
String Quartet No.12 In F Major, Op.96 - "American" B.179: 4. Finale (Vivace ma non troppo) | Antonín Dvořák, Hagen Quartett | F Major | 1 | 7B | 80 BPM | ||
Symphony No. 4 in C minor, D.417 - "Tragic": 2. Andante | Franz Schubert, Academy of St. Martin in the Fields, Sir Neville Marriner | D♭ Major | 0 | 3B | 121 BPM | ||
An die Musik, D.547 (Arr. Cello & Piano) | Franz Schubert, Lynn Harrell, Bruno Canino | A Major | 0 | 11B | 91 BPM | ||
Cuadros de una exposición para orquesta: No. 10, La Gran Puerta de Kiev | Orquesta Filarmónica de Slavonia, Alberto Lizzio | E♭ Major | 1 | 5B | 97 BPM |
Section: 0.8327791690826416
End: 0.8361220359802246