Franz Waxman, Georges Bizet, Maxim Vengerov, Zubin Mehta, Israel Philharmonic Orchestra's 'Bizet / Arr Waxman: Carmen Fantasia' came out on March 1, 1992. Since Bizet / Arr Waxman: Carmen Fantasia is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "Paganini, Saint-Saëns & Waxman : Works for Violin & Orchestra". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. In terms of popularity, Bizet / Arr Waxman: Carmen Fantasia is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Bizet / Arr Waxman: Carmen Fantasia by Franz Waxman, Georges Bizet, Maxim Vengerov, Zubin Mehta, Israel Philharmonic Orchestra having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 3 in B minor Op. 61: II. Andantino quasi allegretto | Camille Saint-Saëns, Maxim Vengerov, Antonio Pappano, Philharmonia Orchestra | B♭ Major | 0 | 6B | 163 BPM | ||
Violin Concerto in D Major, Op. 35, TH 59: III. Finale. Allegro vivacissimo | Pyotr Ilyich Tchaikovsky, Joshua Bell, Cleveland Orchestra, Vladimir Ashkenazy | D Major | 1 | 10B | 83 BPM | ||
Kreisler: Liebesleid | Fritz Kreisler, Itzhak Perlman | A Major | 1 | 11B | 137 BPM | ||
Vivaldi: Concerto for Two Mandolins in G Major, RV 532: I. Allegro | Antonio Vivaldi, Claudio Scimone, I Solisti Veneti | C Minor | 1 | 5A | 75 BPM | ||
Serenade for Strings in E Minor, Op. 20: 1. Allegro piacevole | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 1 | 9A | 83 BPM | ||
The Gadfly, Op. 97: 3. Youth (Romance) | Dmitri Shostakovich, Erez Ofer, Philadelphia Orchestra, Riccardo Chailly | C Minor | 1 | 5A | 95 BPM | ||
Concierto Para Piano Y Orquesta Nº 1, En Mi Menor Op.11 - Rondo. Vivace | Martha Argerich | E Major | 3 | 12B | 64 BPM | ||
Hora Staccato (Rournmian) | Grigoras Dinicu, Sarah Chang, Charles Abramovic | E♭ Major | 3 | 5B | 159 BPM | ||
3 Old Viennese Dances: 2. Liebesleid | Fritz Kreisler, Shlomo Mintz, Clifford Benson | A Major | 0 | 11B | 105 BPM | ||
Polonaise No. 1 in D Op. 4 - 1985 Remastered Version | Henryk Wieniawski, Itzhak Perlman, Samuel Sanders | D Major | 2 | 10B | 117 BPM |
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