Henryk Wieniawski, Itzhak Perlman, Samuel Sanders made "Polonaise No. 1 in D Op. 4 - 1985 Remastered Version" available on January 12, 1996. With this song being about 5 minutes long, at 4:41, "Polonaise No. 1 in D Op. 4 - 1985 Remastered Version" by Henryk Wieniawski, Itzhak Perlman, Samuel Sanders is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wieniawski: Works for Violin by Henryk Wieniawski, Itzhak Perlman. The song's track number on the album is #4 out of 11 tracks. In terms of popularity, Polonaise No. 1 in D Op. 4 - 1985 Remastered Version is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Polonaise No. 1 in D Op. 4 - 1985 Remastered Version by Henryk Wieniawski, Itzhak Perlman, Samuel Sanders has a tempo of 117 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Polonaise No. 1 in D Op. 4 - 1985 Remastered Version being at 117 BPM, the half-time would be 58 BPM with a double-time of 234 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | C Minor | 1 | 5A | 71 BPM | ||
Rondino on a Theme by Beethoven | Samuel Sanders, Itzhak Perlman | E♭ Major | 1 | 5B | 130 BPM | ||
The Age of Innocence: Theme | Elmer Bernstein, Itzhak Perlman, John Williams, Pittsburgh Symphony Orchestra | C Minor | 0 | 5A | 97 BPM | ||
Conus: Violin Concerto in E Minor: II. Adagio | Julius Conus, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | B Major | 2 | 1B | 96 BPM | ||
Concerto for Violin & Orchestra, Op. 14: III. Presto in moto perpetuo | Samuel Barber, Gil Shaham, London Symphony Orchestra, André Previn | A Minor | 5 | 8A | 97 BPM | ||
Variations on an Original Theme | Henryk Wieniawski, Maxim Vengerov, Ian Brown | A Major | 1 | 11B | 90 BPM | ||
Violin Concerto No. 1 in A Minor, Op. 77: IV. Burlesque. Allegro con brio - Presto | Dmitri Shostakovich, Hilary Hahn, Marek Janowski, Oslo Philharmonic Orchestra, Oslo-Filharmonien | B♭ Major | 3 | 6B | 169 BPM | ||
Sarasate: Spanish Dances, Op. 23: II. Zapateado (Allegro) | Pablo de Sarasate, Itzhak Perlman, Samuel Sanders | A Major | 3 | 11B | 114 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": II. Adagio | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | G Minor | 1 | 6A | 145 BPM |
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