"3 Old Viennese Dances: 2. Liebesleid" by Fritz Kreisler, Shlomo Mintz, Clifford Benson was released on January 30, 2021. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "The Art of Fritz Kreisler". In this album, this song's track order is #14. In terms of popularity, 3 Old Viennese Dances: 2. Liebesleid is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 3 Old Viennese Dances: 2. Liebesleid by Fritz Kreisler, Shlomo Mintz, Clifford Benson having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Invitation to the Dance | Carl Maria von Weber, Thierry De Brunhoff | D♭ Major | 1 | 3B | 122 BPM | ||
Sonata in G Minor for Cello & Piano, Op. 19: 3. Andante | Sergei Rachmaninoff, Heinrich Schiff, Elisabeth Leonskaja | A Minor | 2 | 8A | 125 BPM | ||
Vocalise Opus 34 No. 14 | Sergei Rachmaninoff, Nicola Benedetti | D♭ Minor | 1 | 12A | 92 BPM | ||
Hora Staccato (Rournmian) | Grigoras Dinicu, Sarah Chang, Charles Abramovic | E♭ Major | 3 | 5B | 159 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Los Angeles Philharmonic, Zubin Mehta | E♭ Major | 1 | 5B | 142 BPM | ||
Symphony No. 1 in D Major "Titan": IIIb. A tempo. Ziemlich langsam | Gustav Mahler, Leonard Bernstein, New York Philharmonic | G Minor | 0 | 6A | 169 BPM | ||
Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Anne-Sophie Mutter, Seiji Ozawa, Orchestre National De France | C Minor | 2 | 5A | 80 BPM | ||
I. Vanitas vanitatum (from "Five Pieces in the Popular Style", Op. 102) | Robert Schumann, Yo-Yo Ma, Kathryn Stott | F Major | 1 | 7B | 114 BPM | ||
Passacaglia (after the Passacaille from the Harpsichord Suite No. 7 in G minor) | George Frideric Handel, Lynn Harrell | G Minor | 2 | 6A | 74 BPM | ||
Hungarian Dance No. 1 In G Minor, WoO 1 (Orchestrated By Johannes Brahms) | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | G Minor | 4 | 6A | 78 BPM |
Section: 0.6835367679595947
End: 0.6873373985290527