Martha Argerich's 'Concierto Para Piano Y Orquesta Nº 1, En Mi Menor Op.11 - Rondo. Vivace' came out on July 19, 2005. Since Concierto Para Piano Y Orquesta Nº 1, En Mi Menor Op.11 - Rondo. Vivace is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Martha Argerich's "Maurice Ravel / Federic Chopin" album is number 6 out of 6. Concierto Para Piano Y Orquesta Nº 1, En Mi Menor Op.11 - Rondo. Vivace is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concierto Para Piano Y Orquesta Nº 1, En Mi Menor Op.11 - Rondo. Vivace by Martha Argerich to be Larghetto (rather broadly) because the track has a tempo of 64 BPM, a half-time of 32BPM, and a double-time of 128 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Invitation to the Dance | Carl Maria von Weber, Thierry De Brunhoff | D♭ Major | 1 | 3B | 122 BPM | ||
Partita No.1 In B Flat Major, BWV 825: Prelude | Johann Sebastian Bach, Rafał Blechacz | B♭ Major | 1 | 6B | 98 BPM | ||
Concerto in D Minor for Violin, Piano and Strings. MWV D4: III. Allegro molto | Felix Mendelssohn, Gidon Kremer, Martha Argerich, Orpheus Chamber Orchestra | D Minor | 2 | 7A | 88 BPM | ||
Sonata No. 15 in C Major, III. Rondo | Maria João Pires | C Major | 2 | 8B | 98 BPM | ||
Solfeggio in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Matthias Veit | F Minor | 1 | 4A | 77 BPM | ||
Fauré: Dolly Suite, Op. 56: I. Berceuse (For Piano 4-Hands) | Gabriel Fauré, Jean-Philippe Collard | E Major | 1 | 12B | 140 BPM | ||
Rhapsody in G Minor, Op. 79, No. 2 | Johannes Brahms, Martha Argerich | E♭ Major | 0 | 5B | 71 BPM | ||
Schumann: Fantasiestücke, Op. 73: I. Zart und mit Ausdruck | Robert Schumann, Martha Argerich, Itzhak Perlman | A Minor | 1 | 8A | 103 BPM | ||
6 Impromptus, Op. 5: Impromptu V | Jean Sibelius, Leif Ove Andsnes | B Minor | 0 | 10A | 72 BPM | ||
Chopin: Piano Concerto No. 2 in F Minor, Op. 21: III. Allegro vivace | Frédéric Chopin, Martha Argerich, Charles Dutoit, Orchestre Symphonique de Montréal | D♭ Major | 2 | 3B | 97 BPM |
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