"Sonata For Viola Solo No. 1, Op.25: 4. Langsam, mit viel Ausdruck" by Paul Hindemith, Kim Kashkashian was released on April 25, 1988. With this song being about 5 minutes long, at 5:03, "Sonata For Viola Solo No. 1, Op.25: 4. Langsam, mit viel Ausdruck" by Paul Hindemith, Kim Kashkashian is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Paul Hindemith, Kim Kashkashian, Robert Levin's "Hindemith: Sonatas For Viola Alone / Piano And Viola Alone" album is number 7 out of 24. The popularity of Sonata For Viola Solo No. 1, Op.25: 4. Langsam, mit viel Ausdruck is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonata For Viola Solo No. 1, Op.25: 4. Langsam, mit viel Ausdruck by Paul Hindemith, Kim Kashkashian to be Vivace (lively and fast) because the track has a tempo of 173 BPM, a half-time of 86BPM, and a double-time of 346 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les animaux modèles Suite, FP 111: II. Le lion amoureux | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | E Minor | 3 | 9A | 86 BPM | ||
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Marchenbilder (Fairy Tales), Op. 113: II. Lebhaft | Robert Schumann, Tabea Zimmermann, Hartmut Höll | E Major | 0 | 12B | 112 BPM | ||
Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 81 BPM | ||
Piano Concerto No. 1, Op. 45: II. Andante (ma rubato) | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | D♭ Major | 0 | 3B | 104 BPM | ||
3 Fragmente: II. Ulysse en Itaque | Witold Lutosławski, Eva Oertle, Consuelo Giulianelli | G Minor | 0 | 6A | 80 BPM | ||
La Mer, L.109: 2. Play of the Waves (Jeux de vagues) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 1 | 12B | 113 BPM | ||
Concerto grosso no.1 (1976-77): 2. Toccata: Allegro | Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff | D Major | 5 | 10B | 134 BPM | ||
Sonate, Op. 71: II. Nocturne – Presque adagio | Charles Koechlin, Julien Hardy, Simon Zaoui | E♭ Major | 0 | 5B | 77 BPM | ||
Concerto for Violin and Cello in A Minor, Op. 102: II. Andante | Johannes Brahms, Amanda Forsyth, Pinchas Zukerman, Canada's National Arts Centre Orchestra | D Major | 1 | 10B | 175 BPM |
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