"3 Fragmente: II. Ulysse en Itaque" by Witold Lutosławski, Eva Oertle, Consuelo Giulianelli was released on September 4, 2015. With 3 Fragmente: II. Ulysse en Itaque being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Eva Oertle's "Lake Reflections - Music for Flute & Harp" album is number 8 out of 21. On top of that, Switzerland appears to be the country where this track was created. 3 Fragmente: II. Ulysse en Itaque is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 3 Fragmente: II. Ulysse en Itaque by Witold Lutosławski, Eva Oertle, Consuelo Giulianelli to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
Concerto for Orchestra: II. Capriccio notturno e arioso | Witold Lutosławski, NFM Orkiestra Filharmonii Wrocławskiej, Stanisław Skrowaczewski | G Major | 4 | 9B | 141 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM | ||
14 Songs, Op. 34: No. 14, Vocalise (Arr. M. McHale for Flute, Clarinet & Piano) | Sergei Rachmaninoff, McGill / McHale Trio | D♭ Minor | 0 | 12A | 65 BPM | ||
Ma mère l'oye, M. 62: Apothéose: Le jardin féerique. Lent et grave | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | C Major | 0 | 8B | 83 BPM | ||
Aus tiefer Not schrei ich zu dir, BWV 687 | Johann Sebastian Bach, Márta Kurtág, György Kurtág | B Minor | 0 | 10A | 79 BPM | ||
Am See, D. 746 | Franz Schubert, Eva Oertle, Vesselin Stanev | E♭ Major | 1 | 5B | 64 BPM | ||
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | ||
Béatrice et Bénédict, Op. 27, H 138: Ouverture | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | G Major | 0 | 9B | 101 BPM | ||
Zachodzi słoneczko | Grand Prix Polskiej Chóralistyki, Witold Lutosławski, Paweł Łukaszewski | E Major | 1 | 12B | 77 BPM |
Section: 1.1367700099945068
End: 1.141390323638916