"6 Songs, Op. 25 (text by P.B. Shelley and J. Stephens): 6 Songs, Op. 25: No. 5. Music, when soft voices die" by Arleen Auger was released on January 1, 2000. The duration of 6 Songs, Op. 25 (text by P.B. Shelley and J. Stephens): 6 Songs, Op. 25: No. 5. Music, when soft voices die is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. 6 Songs, Op. 25 (text by P.B. Shelley and J. Stephens): 6 Songs, Op. 25: No. 5. Music, when soft voices die's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 38 in Auger, Arleen: Arias by Arleen Auger. 6 Songs, Op. 25 (text by P.B. Shelley and J. Stephens): 6 Songs, Op. 25: No. 5. Music, when soft voices die is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 6 Songs, Op. 25 (text by P.B. Shelley and J. Stephens): 6 Songs, Op. 25: No. 5. Music, when soft voices die by Arleen Auger is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater: Cuius animam gementem…. O quam tristis | Agostino Steffani, Coro della Radiotelevisione Svizzera, Cecilia Bartoli, Franco Fagioli, Daniel Behle, I Barocchisti, Diego Fasolis | D Minor | 3 | 7A | 90 BPM | ||
Brahms: Ein deutsches Requiem, Op. 45: IV. "Wie lieblich sind deine Wohnungen" | Johannes Brahms, Berliner Philharmoniker/Sir Simon Rattle/Rundfunkchor Berlin/Simon Halsey/Dorothea Röschmann/Thomas Quasthoff, Sir Simon Rattle, Berliner Philharmoniker | E♭ Major | 1 | 5B | 67 BPM | ||
Requiem in D Minor, WAB 39: I. Introitus. Requiem | Anton Bruckner, RIAS Kammerchor, Akademie für Alte Musik Berlin, Łukasz Borowicz | B Minor | 1 | 10A | 166 BPM | ||
Delizie contente | Francesco Cavalli, Cecilia Bartoli, György Fischer | F Minor | 1 | 4A | 92 BPM | ||
Stabat Mater, Op. 58: IV. Fac, ut ardeat cor meum (Largo) | Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic, Florian Boesch | B♭ Minor | 0 | 3A | 79 BPM | ||
Ein deutsches Requiem (A German Requiem), Op. 45: IV. Wie lieblich sind deine Wohnungen | Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | E♭ Major | 1 | 5B | 124 BPM | ||
Oboe Concerto in G Minor, Op. 9, No. 8: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 1 | 6B | 89 BPM | ||
Magnificat in B flat major: Magnificat anima mea | Francesco Durante, Thomas Hengelbrock | A Major | 3 | 11B | 126 BPM | ||
Abdelazer: Air | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 1 | 11A | 114 BPM | ||
Offerte non encore exécutée, H.522 | Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel | B Major | 2 | 1B | 79 BPM |
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