Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel's 'Offerte non encore exécutée, H.522' came out on January 1, 2003. The duration of Offerte non encore exécutée, H.522 is about 3 minutes long, at 3:17. Based on our data, "Offerte non encore exécutée, H.522" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 18 out of 26 in Charpentier: Musique sacrée by Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Offerte non encore exécutée, H.522 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Offerte non encore exécutée, H.522 by Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te Deum, H. 146: I. Prélude | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | C Major | 4 | 8B | 101 BPM | ||
Concerto for Viola da Gamba and Strings in A major: III. Largo | Johann Pfeiffer, Hille Perl | F Minor | 0 | 4A | 106 BPM | ||
Zoroastre, RCT 62, Acte III, Scène VII: Gavotte en rondeau | Jean-Philippe Rameau, Teodor Currentzis | A♭ Minor | 1 | 1A | 116 BPM | ||
Armide Opera In 5 Acts With Prologue: Passacaille | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 1 | 11A | 119 BPM | ||
A la venue de noël | Marc-Antoine Charpentier, Elizabeth Wallfisch, Nicholas Kraemer | D♭ Minor | 2 | 12A | 92 BPM | ||
Trumpet Concerto in D Major, G. 28: I. Allegro | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | A♭ Major | 2 | 4B | 95 BPM | ||
Suite No. 5 In G Minor, BWV 1070 (App. B)(Not Attributed To Bach): 3. Aria (Adagio) | Traditional, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 1 | 11A | 139 BPM | ||
Bach, JS: Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai | Johann Sebastian Bach, Sir Neville Marriner, Celia Nicklin, George Malcolm, Kenneth Sillito, Mark Bennett, Academy of St. Martin in the Fields | F Major | 4 | 7B | 103 BPM | ||
Concerto for Oboe and Bassoon in G Major, RV 545: I. Andante molto | Antonio Vivaldi, Christopher Hooker, Joanna Graham, City of London Sinfonia, Nicholas Kraemer | G Major | 2 | 9B | 178 BPM | ||
Concerto For 4 Harpsichords In A Minor, BWV 1065: I. - Allegro | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Robert Hill, Roderick Shaw, Johann Sebastian Bach | A Minor | 4 | 8A | 109 BPM |
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