"Siegfried: Act II Scene 2: Siegfrieds Hornruf (Siegfried's Horncall)" by Richard Wagner, Stephen Gould, Gerhard Siegel, Albert Dohmen, Andrew Shore, Hans-Peter Konig, Christa Mayer, Linda Watson, Robin Johannsen, Bayreuth Festival Orchestra, Christian Thielemann was released on January 11, 2009. The duration of Siegfried: Act II Scene 2: Siegfrieds Hornruf (Siegfried's Horncall) is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Siegfried: Act II Scene 2: Siegfrieds Hornruf (Siegfried's Horncall)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wagner: Der Ring des Nibelungen by Richard Wagner, Christian Thielemann. The song's track number on the album is #1 out of 255 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. The popularity of Siegfried: Act II Scene 2: Siegfrieds Hornruf (Siegfried's Horncall) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Siegfried: Act II Scene 2: Siegfrieds Hornruf (Siegfried's Horncall) by Richard Wagner, Stephen Gould, Gerhard Siegel, Albert Dohmen, Andrew Shore, Hans-Peter Konig, Christa Mayer, Linda Watson, Robin Johannsen, Bayreuth Festival Orchestra, Christian Thielemann has a tempo of 170 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Siegfried: Act II Scene 2: Siegfrieds Hornruf (Siegfried's Horncall) being at 170 BPM, the half-time would be 85 BPM with a double-time of 340 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 5/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lohengrin, WWV 75, Act III: Prelude (Excerpt) | Richard Wagner, Russian State Symphony Orchestra, John McGlinn | G Major | 3 | 9B | 76 BPM | ||
Grande messe des morts, Op. 5, "Requiem": Lacrimosa | Hector Berlioz, Toby Spence, SWR Vokalensemble Stuttgart, MDR Leipzig Radio Chorus, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington | C Major | 2 | 8B | 128 BPM | ||
La belle Hélène: Overture | Jacques Offenbach, Orchestre National de Lille, Darrell Ang | A Major | 2 | 11B | 82 BPM | ||
Symphony No. 8 in E-Flat Major - "Symphony of a Thousand" / Pt. 1: "Veni creator spiritus" - Live | Gustav Mahler, Philadelphia Orchestra, Yannick Nézet-Séguin, Westminster Symphonic Choir, The Choral Arts Society Of Washington, Joe Miller, Scott Tucker | E♭ Major | 4 | 5B | 124 BPM | ||
Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 153 BPM | ||
Der Rosenkavalier, Op. 59 / Act 1: Introduction | Richard Strauss, Wiener Philharmoniker, Sir Georg Solti | D Major | 4 | 10B | 103 BPM | ||
Pelléas et Mélisande, Op.80: 6. Molto adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | D Minor | 0 | 7A | 82 BPM | ||
The Planets - Suite for large orchestra, Op.32: III. Mercury, the Winged Messenger (Vivace) | Berliner Philharmoniker, Sir Simon Rattle | F Major | 0 | 7B | 118 BPM | ||
Palestrina: Act III - "Wie lange sie bleiben" | Otmar Suitner, Staatskapelle Berlin, Berlin State Opera Chorus, Carola Nossek, Helmut Oertel, Peter Schreier | F♯ Major | 1 | 2B | 87 BPM | ||
Symphony No. 2 in C Minor, Op. 17 "Little Russian": IV. Finale. Moderato assai - Allegro vivo | Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic | C Major | 4 | 8B | 87 BPM |
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