"Grande messe des morts, Op. 5, "Requiem": Lacrimosa" by Hector Berlioz, Toby Spence, SWR Vokalensemble Stuttgart, MDR Leipzig Radio Chorus, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington was released on January 1, 2006. Since Grande messe des morts, Op. 5, "Requiem": Lacrimosa is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 10 in Berlioz: Requiem, Op. 5 by Hector Berlioz, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington. Based on our statistics, Grande messe des morts, Op. 5, "Requiem": Lacrimosa's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Grande messe des morts, Op. 5, "Requiem": Lacrimosa by Hector Berlioz, Toby Spence, SWR Vokalensemble Stuttgart, MDR Leipzig Radio Chorus, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Selig, wie die Sonne" | Richard Wagner, Norman Bailey, Hannelore Bode, René Kollo, Adolf Dallapozza, Julia Hamari, Wiener Philharmoniker, Sir Georg Solti | F♯ Major | 2 | 2B | 82 BPM | ||
Der Freischütz, J. 277 / Act 3: "Schaut, o schaut! Er traf die eigne Braut!" | Carl Maria von Weber, Gundula Janowitz, Edith Mathis, Peter Schreier, Bernd Weikl, Siegfried Vogel, Theo Adam, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Carlos Kleiber | C Major | 2 | 8B | 174 BPM | ||
Sinfonietta on Russian Themes, Op. 31: III. Scherzo - Finale | Nikolai Rimsky-Korsakov, St. Petersburg State Symphony Orchestra, Andre Anichanov | G Major | 0 | 9B | 110 BPM | ||
4 Letzte Lieder (4 Last Songs), TrV 296: No. 4. Im Abendrot | Richard Strauss, Soile Isokoski, Berlin Rundfunkorchester, Marek Janowski | E♭ Major | 0 | 5B | 89 BPM | ||
L'Enfance du Christ, Op.25 - Partie 2: La fuite en Egypte: Le repos de la Sainte Famille - Les pèlerins étant venus | Hector Berlioz, John Mark Ainsley, Choeur de l'Orchestre Symphonique de Montréal, Orchestre Symphonique de Montréal, Charles Dutoit | A Minor | 0 | 8A | 135 BPM | ||
Borodin: Prince Igor, Act II, Polovtsian Dances: Pt. 3, General Dance | Alexander Borodin, Sir Thomas Beecham, Beecham Choral Society, Royal Philharmonic Orchestra | A Major | 1 | 11B | 64 BPM | ||
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Fritz Reiner | F Major | 0 | 7B | 63 BPM | ||
Die Hexe ist tot! | Malte Arkona, Stuttgart Radio Symphony Orchestra | D Major | 1 | 10B | 93 BPM | ||
Symphony No. 104 in D Major, Hob. I:104 "London": IV. Finale: Spiritoso | Joseph Haydn, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington | A Minor | 3 | 8A | 168 BPM | ||
The Rite of Spring, Part 2: III .Glorification of the Chosen One | Igor Stravinsky, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | D♭ Major | 6 | 3B | 137 BPM |
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