Joseph Haydn, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington made "Symphony No. 104 in D Major, Hob. I:104 "London": IV. Finale: Spiritoso" available on January 1, 2000. Since Symphony No. 104 in D Major, Hob. I:104 "London": IV. Finale: Spiritoso is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Stuttgart Radio Symphony Orchestra, Sir Roger Norrington's "Haydn: Symphony No. 104, "London" / Schumann: Symphony No. 2" album is number 4 out of 8. On top of that, Germany appears to be the country where this track was created. The popularity of Symphony No. 104 in D Major, Hob. I:104 "London": IV. Finale: Spiritoso is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Symphony No. 104 in D Major, Hob. I:104 "London": IV. Finale: Spiritoso by Joseph Haydn, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington to be Vivace (lively and fast) because the track has a tempo of 168 BPM, a half-time of 84BPM, and a double-time of 336 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in D Minor, Op. 7 No. 1: I. Allegro | Jean-Marie Leclair, Fabio Biondi, Europa Galante | D♭ Minor | 2 | 12A | 173 BPM | ||
Brandenburg Concerto No. 1 in F BWV1046: III. Allegro | Johann Sebastian Bach, Catherine Mackintosh/Paul Goodwin/Timothy Brown/Susan Dent/Orchestra of the Age of Enlightenment, Orchestra of the Age of Enlightenment | E Major | 3 | 12B | 92 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Six German Dances, D820: No.2 | Franz Schubert, Mitsuko Uchida | A♭ Major | 0 | 4B | 111 BPM | ||
La bergère châtelaine, S. 5 (Excerpts): Entr'acte to Act II | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | A Major | 2 | 11B | 111 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 146 BPM | ||
Concerto in G Major for Flute, Strings, and Basso Continuo: II. Adagio | Johann Stamitz, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Major | 0 | 11B | 71 BPM | ||
Symphony No. 1 in C Major, "Die 4 Weltalter" (the 4 Ages of the World): III. Minuetto con garbo | Carl Ditters von Dittersdorf, Failoni Kamarazenekar, Hanspeter Gmür | A Minor | 0 | 8A | 125 BPM | ||
Piano Concerto in A Minor, Op. 54: II. Intermezzo (Andantino grazioso) | Robert Schumann, Krystian Zimerman, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 70 BPM | ||
String Quartet No. 1 in G Major, K. 80: III. Menuetto | Eder Quartet | G Major | 0 | 9B | 124 BPM |
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