José de Nebra, Maria Espada, Al Ayre Español, Eduardo López Banzo made "“Alienta fervorosa” Cantada al Santísimo: Ven, ven del Líbano (aria)" available on April 1, 2011. With this song being about 5 minutes long, at 5:21, "“Alienta fervorosa” Cantada al Santísimo: Ven, ven del Líbano (aria)" by José de Nebra, Maria Espada, Al Ayre Español, Eduardo López Banzo is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 19 in De Nebra: Esta Dulzura Amable - Sacred cantatas by José de Nebra, Maria Espada, Al Ayre Español, Eduardo López Banzo. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. “Alienta fervorosa” Cantada al Santísimo: Ven, ven del Líbano (aria) is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of “Alienta fervorosa” Cantada al Santísimo: Ven, ven del Líbano (aria) by José de Nebra, Maria Espada, Al Ayre Español, Eduardo López Banzo is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 2 Flutes & Bassoon in G Major, TWV 53:G1: III. Largo | Georg Philipp Telemann, Barthold Kuijken, Leela Breithaupt, Stephanie Corwin, Indianapolis Baroque Orchestra | D♭ Major | 0 | 3B | 117 BPM | ||
In Windsor Forest: No. 2, Drinking Song | Ralph Vaughan Williams, London Choral Sinfonia, Michael Waldron | G Major | 1 | 9B | 79 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Misero giovine!" (Chorus) | Christoph Willibald Gluck, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Major | 2 | 2B | 92 BPM | ||
The Gordion Knot Unty'd, Z. 597: Second Music: Air | Henry Purcell, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 91 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: VI. Benedictus, 1. Benedictus qui venit in nomine Domini | Niccolò Jommelli, Gudrun Sidonie Otto, Il Gardellino, Peter Van Heyghen | B Minor | 1 | 10A | 142 BPM | ||
Stabat Mater: VII. Juxta crucem | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
L'incoronazione di Poppea, SV 308: Sinfonia | Claudio Monteverdi, Pamela Lucciarini, Francesca Cassinari, Alena Dantcheva, José Maria Lo Monaco, Giovanni Caccamo, Emanuela Galli, Roberta Mameli, Ian Honeyman, Xenia Meijer, Makoto Sakurada, Raffaele Costantini, Andrea Favari, Mario Cecchetti, Romina Tomasoni, Claudio Cavina, La Venexiana | F Major | 2 | 7B | 97 BPM | ||
8 Violin Sonatas and 4 Concertos, Op. 7, No. 2 in E Minor: II. Allegro | Michele Mascitti, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 2 | 2A | 115 BPM | ||
Maddalena ai piedi di Cristo: No. 1 Sinfonia | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini | A♭ Major | 2 | 4B | 170 BPM | ||
Nisi Dominus, RV 608: III. Surgite | Antonio Vivaldi, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM |
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