"Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Misero giovine!" (Chorus)" by Christoph Willibald Gluck, Philippe Jaroussky, Diego Fasolis, I Barocchisti was released on May 18, 2018. With Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Misero giovine!" (Chorus) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Christoph Willibald Gluck, Philippe Jaroussky's "Gluck: Orfeo ed Euridice" album is number 13 out of 32. In terms of popularity, Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Misero giovine!" (Chorus) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Misero giovine!" (Chorus) by Christoph Willibald Gluck, Philippe Jaroussky, Diego Fasolis, I Barocchisti to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dido and Aeneas / Act 3: "See the flags and streamers curling" | Henry Purcell, David Thomas, Elisabeth Priday, Sara Stowe, Academy of Ancient Music, Christopher Hogwood | A Major | 2 | 11B | 105 BPM | ||
Rinaldo / Act 3: Coro: Vinto è sol dalla virtù | George Frideric Handel, Cecilia Bartoli, Luba Orgonasova, David Daniels, Daniel Taylor, Gerald Finley, Academy of Ancient Music, Christopher Hogwood | E Major | 2 | 12B | 132 BPM | ||
Messiah, HWV 56: Part 1: O thou that tellest good tidings to Zion (Air) | Nikolaus Harnoncourt | D♭ Major | 1 | 3B | 76 BPM | ||
"If Music Be The Food Of Love", Z.379 | Henry Purcell, Emma Kirkby, Richard Campbell, Christopher Hogwood | F Major | 1 | 7B | 84 BPM | ||
Magnificat, Wq. 215: Magnificat, Wq. 215: 3. Arie. Quia fecit mihi magna (T) | Carl Philipp Emanuel Bach, Lothar Odinius, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | F♯ Major | 3 | 2B | 139 BPM | ||
Paulus: II. Teil: Nr. 28 Chor "Ist das nicht der zu Jerusalem verstörte alle" - Choral "O Jesu Christe, wahres Licht" | Felix Mendelssohn, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe | B♭ Major | 0 | 6B | 87 BPM | ||
Porpora: Arianna e Teseo: "Mira in cielo" (Alceste) | Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra | E Major | 2 | 12B | 132 BPM | ||
Stabat Mater: Stabat Mater Dolorosa | Agostino Steffani, Cecilia Bartoli, I Barocchisti, Diego Fasolis | B Major | 0 | 1B | 64 BPM | ||
Orfeo ed Euridice, Wq. 30, Act III Scene 1: Che farò senza Euridice! | Christoph Willibald Gluck, David Bates, Andrew Manze, Akademie für Alte Musik Berlin, La Nuova Musica, Oregon Symphony, Iestyn Davies | G Major | 0 | 9B | 84 BPM | ||
La Clemenza di Tito: Atto primo, scena IX. No.9 Aria Sesto "Parto, ma tu ben mio" | Wolfgang Amadeus Mozart, Bernarda Fink, Freiburger Barockorchester, René Jacobs | F Major | 1 | 7B | 94 BPM |
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