Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Misero giovine!" (Chorus)
Christoph Willibald Gluck, Philippe Jaroussky, Diego Fasolis, I Barocchisti
Gluck: Orfeo ed Euridice
0:58 May 18, 2018
BPM
92
Key
F♯ Major
Camelot
2B

Embed

Share Link

Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Misero giovine!" (Chorus) - Christoph Willibald Gluck, Philippe Jaroussky, Diego Fasolis, I Barocchisti Information

Acousticness
99%
Danceability
22%
Energy
19%
Instrumentalness
0%
Liveness
30%
Loudness
79%
Speechiness
4%
Valence
12%
Popularity
Loudness
-12.796 dB

Summary

"Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Misero giovine!" (Chorus)" by Christoph Willibald Gluck, Philippe Jaroussky, Diego Fasolis, I Barocchisti was released on May 18, 2018. With Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Misero giovine!" (Chorus) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Christoph Willibald Gluck, Philippe Jaroussky's "Gluck: Orfeo ed Euridice" album is number 13 out of 32. In terms of popularity, Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Misero giovine!" (Chorus) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Misero giovine!" (Chorus) BPM

We consider the tempo marking of Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Misero giovine!" (Chorus) by Christoph Willibald Gluck, Philippe Jaroussky, Diego Fasolis, I Barocchisti to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.

Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Misero giovine!" (Chorus) Key

F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Dido and Aeneas / Act 3: Dido and Aeneas / Act 3: "See the flags and streamers curling"Henry Purcell, David Thomas, Elisabeth Priday, Sara Stowe, Academy of Ancient Music, Christopher HogwoodA Major211B105 BPM
Rinaldo / Act 3: Coro: Vinto è sol dalla virtù by George Frideric Handel, Cecilia Bartoli, Luba Orgonasova, David Daniels, Daniel Taylor, Gerald Finley, Academy of Ancient Music, Christopher HogwoodRinaldo / Act 3: Coro: Vinto è sol dalla virtùGeorge Frideric Handel, Cecilia Bartoli, Luba Orgonasova, David Daniels, Daniel Taylor, Gerald Finley, Academy of Ancient Music, Christopher HogwoodE Major212B132 BPM
Messiah, HWV 56: Part 1: O thou that tellest good tidings to Zion (Air) by Nikolaus HarnoncourtMessiah, HWV 56: Part 1: O thou that tellest good tidings to Zion (Air)Nikolaus HarnoncourtD♭ Major13B76 BPM
"If Music Be The Food Of Love", Z.379Henry Purcell, Emma Kirkby, Richard Campbell, Christopher HogwoodF Major17B84 BPM
Magnificat, Wq. 215: Magnificat, Wq. 215: 3. Arie. Quia fecit mihi magna (T) by Carl Philipp Emanuel Bach, Lothar Odinius, Akademie für Alte Musik Berlin, Hans-Christoph RademannMagnificat, Wq. 215: Magnificat, Wq. 215: 3. Arie. Quia fecit mihi magna (T)Carl Philipp Emanuel Bach, Lothar Odinius, Akademie für Alte Musik Berlin, Hans-Christoph RademannF♯ Major32B139 BPM
Paulus: II. Teil: Nr. 28 Chor Paulus: II. Teil: Nr. 28 Chor "Ist das nicht der zu Jerusalem verstörte alle" - Choral "O Jesu Christe, wahres Licht"Felix Mendelssohn, Collegium Vocale Gent, La Chapelle Royale, Philippe HerrewegheB♭ Major06B87 BPM
Porpora: Arianna e Teseo: Porpora: Arianna e Teseo: "Mira in cielo" (Alceste)Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque OrchestraE Major212B132 BPM
Stabat Mater: Stabat Mater Dolorosa by Agostino Steffani, Cecilia Bartoli, I Barocchisti, Diego FasolisStabat Mater: Stabat Mater DolorosaAgostino Steffani, Cecilia Bartoli, I Barocchisti, Diego FasolisB Major01B64 BPM
Orfeo ed Euridice, Wq. 30, Act III Scene 1: Che farò senza Euridice! by Christoph Willibald Gluck, David Bates, Andrew Manze, Akademie für Alte Musik Berlin, La Nuova Musica, Oregon Symphony, Iestyn DaviesOrfeo ed Euridice, Wq. 30, Act III Scene 1: Che farò senza Euridice!Christoph Willibald Gluck, David Bates, Andrew Manze, Akademie für Alte Musik Berlin, La Nuova Musica, Oregon Symphony, Iestyn DaviesG Major09B84 BPM
La Clemenza di Tito: Atto primo, scena IX. No.9 Aria Sesto La Clemenza di Tito: Atto primo, scena IX. No.9 Aria Sesto "Parto, ma tu ben mio"Wolfgang Amadeus Mozart, Bernarda Fink, Freiburger Barockorchester, René JacobsF Major17B94 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.5624072551727295

End: 0.5762894153594971