Messiah, HWV 56: Part 1: O thou that tellest good tidings to Zion (Air) - Nikolaus Harnoncourt Information

Acousticness: 98%
Danceability: 30%
Energy: 12%
Instrumentalness: 0%
Liveness: 30%
Loudness: 66%
Speechiness: 6%
Valence: 34%
Popularity: 11%
Loudness: -20.227 dB

Summary

Nikolaus Harnoncourt's 'Messiah, HWV 56: Part 1: O thou that tellest good tidings to Zion (Air)' came out on 2005. Messiah, HWV 56: Part 1: O thou that tellest good tidings to Zion (Air) is about six minutes long, preciously at 5:48, making this song fairly long compared to other songs. The track order of this song in Nikolaus Harnoncourt's "Händel: Messiah" album is number 8 out of 47. Messiah, HWV 56: Part 1: O thou that tellest good tidings to Zion (Air) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Messiah, HWV 56: Part 1: O thou that tellest good tidings to Zion (Air) BPM

We consider the tempo marking of Messiah, HWV 56: Part 1: O thou that tellest good tidings to Zion (Air) by Nikolaus Harnoncourt to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Messiah, HWV 56: Part 1: O thou that tellest good tidings to Zion (Air) Key

This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Concerto a due cori No. 1 in B flat (1989 Digital Remaster): II. Allegro	George Frideric Handel, Yehudi Menuhin, Menuhin Festival Orchestra	B♭ Major	2	6B	101 BPM
Sinfonie Nr. 3 c-Moll, Op. 78, "Orgelsinfonie": 2. Maestoso - Allegro - Più allegro - Molto allegro - Pesante (Ein Schweinchen names Babe): I. Adagio - Allegro moderato -	Camille Saint-Saëns, Imrich Szabo, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser	A♭ Major	1	4B	93 BPM
Ode for St. Cecilia's Day, HWV 76: Air: What passion cannot Music raise	George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich	A♭ Minor	0	1A	96 BPM
Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture	Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques	B♭ Major	3	6B	128 BPM
Serenade for Strings in E Major, Op. 22, B. 52: III. Scherzo. Vivace	Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor	F Major	2	7B	130 BPM
Concerto for Cello and String Orchestra in G Major, G. 480: III. Allegro	Luigi Boccherini, Yo-Yo Ma, Ton Koopman, Amsterdam Baroque Orchestra	F♯ Major	1	2B	97 BPM
Serenade for strings in E Minor, Op. 20	Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner	C Major	1	8B	97 BPM
The Indian Queen, Z. 630: Trumpet Tune	Henry Purcell, Stephane Beaulac, Vincent Boucher	A Minor	2	8A	127 BPM
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo)	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	A Minor	1	8A	79 BPM
Messiah, HWV 56: Part 1: And lo, the angel of the Lord came upon them (Accompagnato)	Nikolaus Harnoncourt	A♭ Major	1	4B	136 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7050549983978271

End: 0.708749532699585