"Messiah, HWV 56: Part 1: And lo, the angel of the Lord came upon them (Accompagnato)" by Nikolaus Harnoncourt was released on 2005. With Messiah, HWV 56: Part 1: And lo, the angel of the Lord came upon them (Accompagnato) being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Nikolaus Harnoncourt's "Händel: Messiah" album is number 13 out of 47. Based on our statistics, Messiah, HWV 56: Part 1: And lo, the angel of the Lord came upon them (Accompagnato)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Messiah, HWV 56: Part 1: And lo, the angel of the Lord came upon them (Accompagnato) by Nikolaus Harnoncourt to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messiah, HWV 56: Part 1: For behold, darkness shall cover the earth (Accompagnato) | Nikolaus Harnoncourt | A♭ Major | 1 | 4B | 100 BPM | ||
Bach, CPE: Flute Concerto in D Minor, Wq 22, H. 425: III. Allegro di molto | Carl Philipp Emanuel Bach, Emmanuel Pahud, Trevor Pinnock, Kammerakadamie Potsdam | F Major | 3 | 7B | 84 BPM | ||
Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: Overture, Op. 21, MWV P3 | Felix Mendelssohn, Nikolaus Harnoncourt, Chamber Orchestra of Europe | C Major | 2 | 8B | 90 BPM | ||
L'Orfeo, SV 318 / Prologo: Toccata | Claudio Monteverdi, English Baroque Soloists, John Eliot Gardiner | D Major | 4 | 10B | 69 BPM | ||
Concerti grossi, Op. 6, Concerto Grosso No. 3 in E Minor, HWV 321: IV. Polonaise | George Frideric Handel, Academy of Ancient Music, Andrew Manze | F♯ Major | 1 | 2B | 98 BPM | ||
Concerto in E minor for oboe, strings and basso continuo: I. Andante | Georg Philipp Telemann, Han De Vries, Alma Musica Amsterdam, Bob van Asperen, Wouter Möller | E♭ Minor | 1 | 2A | 105 BPM | ||
Sonata in F, BuxWV 269: II. Solo- Allegro | Dietrich Buxtehude, La Rêveuse | E Major | 2 | 12B | 103 BPM | ||
Cello Sonata in C Major, G. 17: III. Rondo allegro | Luigi Boccherini, Christian Benda, Sebastian Benda | G Major | 3 | 9B | 144 BPM | ||
Messiah, HWV 56: Part 3: The trumpet shall sound (Air) | Nikolaus Harnoncourt | D♭ Major | 2 | 3B | 120 BPM | ||
Symphony No. 1 in C Minor, Op. 68: II. Andante sostenuto | Johannes Brahms, David Zinman | E Major | 0 | 12B | 92 BPM |
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