Nikolaus Harnoncourt made "Messiah, HWV 56: Part 3: The trumpet shall sound (Air)" available on 2005. Since Messiah, HWV 56: Part 3: The trumpet shall sound (Air) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Nikolaus Harnoncourt's "Händel: Messiah" album is number 23 out of 47. Based on our statistics, Messiah, HWV 56: Part 3: The trumpet shall sound (Air)'s popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Messiah, HWV 56: Part 3: The trumpet shall sound (Air) by Nikolaus Harnoncourt to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): II. Adagio, ma non tanto | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | E Minor | 0 | 9A | 103 BPM | ||
Messiah, HWV 56: Part 3: Worthy is the Lamb (Chorus) | Nikolaus Harnoncourt | D♭ Major | 3 | 3B | 125 BPM | ||
Stabat Mater: 9. Sancta Mater | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | B♭ Major | 1 | 6B | 115 BPM | ||
Dixit Dominus, HWV 232: Dominus a dextris tuis | George Frideric Handel, Charles Humphries, Gill Ross, Donna Deam, Robert Burt, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Minor | 2 | 12A | 146 BPM | ||
Missa Dolorosa: IV. Sanctus | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Oboe Concerto in B-Flat Major, Wq. 164, H. 466: I. Allegretto | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | B♭ Major | 1 | 6B | 131 BPM | ||
12 Trio Sonatas, Op. 3, Trio Sonata No. 6 in G Major: I. Vivace | Arcangelo Corelli, Purcell Quartet | F Major | 2 | 7B | 136 BPM | ||
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 3, Choral. "Herzliebster Jesu, was hast du verbrochen" | Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Concentus Musicus Wien | B Major | 2 | 1B | 128 BPM | ||
Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": II. Andante | Franz Joseph Haydn, Nikolaus Harnoncourt, Concertgebouworkest | C Major | 0 | 8B | 125 BPM | ||
Cello Concerto No. 1 In C Major, G. 477: I. Allegro | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | C Major | 0 | 8B | 124 BPM |
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