"Serenade for strings in E Minor, Op. 20" by Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner was released on June 3, 2016. Serenade for strings in E Minor, Op. 20 is about six minutes long, preciously at 6:11, making this song fairly long compared to other songs. There are a total of 13 in the song's album "Piano Quintet; The Spanish Lady; La Capricieuse; Serenade Op. 20". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. In terms of popularity, Serenade for strings in E Minor, Op. 20 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Serenade for strings in E Minor, Op. 20 by Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in D Major, Op. 2 No. 5 "St. Cecilia's Day Ode": III. Tempo di minuetto | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 152 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Elgar: Romance for Bassoon in D Minor, Op. 62 (Arr. for Cello and Orchestra) | Edward Elgar, Natalie Clein, Vernon Handley, Royal Liverpool Philharmonic Orchestra | E Minor | 0 | 9A | 71 BPM | ||
Symphony No. 5 in D Major, Op. 107, MWV N15, "Reformation": III. Andante | Felix Mendelssohn, RTÉ National Symphony Orchestra, Reinhard Seifried | G Minor | 0 | 6A | 96 BPM | ||
Bach, JS: Brandenburg Concerto No. 4 in G Major, BWV 1049: III. Presto | Johann Sebastian Bach, Iona Brown, Catherine Latham, John Constable, Philip Pickett, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 2 | 9B | 93 BPM | ||
I'll Always Go Back To That Church | Academy of St. Martin in the Fields, Gabriel Yared | D Major | 2 | 10B | 133 BPM | ||
Concerto grosso in D, Op.6, No.1: 2. Largo | Arcangelo Corelli, Alan Loveday, Carmel Kaine, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 2 | 10A | 71 BPM | ||
Two Serenades, Op.69: 2. Lento assai, Op.69 No.2 - In G Minor | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | C Minor | 0 | 5A | 104 BPM | ||
Pulcinella - Ballet avec chante: Overture - 2001 Digital Remaster | Igor Stravinsky, Sir Neville Marriner, Academy of St. Martin in the Fields, Yvonne Kenny, Robert Tear, Robert Lloyd | G Major | 0 | 9B | 177 BPM | ||
Khovanshchina: Dawn on the Moskva River | Modest Mussorgsky, George Szell, Cleveland Orchestra | F♯ Major | 1 | 2B | 99 BPM |
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