Academy of St. Martin in the Fields, Gabriel Yared's 'I'll Always Go Back To That Church' came out on November 7, 1996. With I'll Always Go Back To That Church being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "The English Patient (Original Soundtrack Recording)". In this album, this song's track order is #9. Based on our statistics, I'll Always Go Back To That Church's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With I'll Always Go Back To That Church by Academy of St. Martin in the Fields, Gabriel Yared having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade in G, K.525 "Eine kleine Nachtmusik": 2. Romance (Andante) | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 0 | 8B | 143 BPM | ||
To The Edge Of The Earth | Michael Nyman | A Minor | 2 | 8A | 100 BPM | ||
Suite Of Cotswold Folk Dances (1978): Constant Billy | Philip Lane, Royal Ballet Sinfonia, Gavin Sutherland | D Major | 1 | 10B | 97 BPM | ||
Julia's Theme | Geoffrey Burgon | C Major | 1 | 8B | 68 BPM | ||
Otto e mezzo | Orchestre de la Suisse Romande | G Major | 1 | 9B | 75 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": II. Largo (Adapt. by Tamas Batiashvili for Violin and Orchestra) - NEW YORK | Antonín Dvořák, Lisa Batiashvili, Berlin Radio Symphony Orchestra, Nikoloz Rachveli | D♭ Major | 0 | 3B | 87 BPM | ||
Green Shoots | Rael Jones, Anthony Weeden | E Minor | 0 | 9A | 54 BPM | ||
Le Miroir des choses | Jérôme Lemonnier | F Major | 2 | 7B | 120 BPM | ||
Keyboard Concerto in F Minor, BWV 1056: II. Largo | Johann Sebastian Bach, Hae Won Chang, Camerata Cassovia, Robert Stankovsky | A♭ Major | 0 | 4B | 128 BPM |
Section: 0.6417748928070068
End: 0.6452853679656982