"Serenade in G, K.525 "Eine kleine Nachtmusik": 2. Romance (Andante)" by Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner was released on January 1, 1999. Serenade in G, K.525 "Eine kleine Nachtmusik": 2. Romance (Andante) is about six minutes long, preciously at 6:05, making this song fairly long compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner's "Mozart: The Great Serenades" album is number 2 out of 25. Based on our statistics, Serenade in G, K.525 "Eine kleine Nachtmusik": 2. Romance (Andante)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Serenade in G, K.525 "Eine kleine Nachtmusik": 2. Romance (Andante) by Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner to be Allegro (fast, quick, and bright) because the track has a tempo of 143 BPM, a half-time of 72BPM, and a double-time of 286 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio In E Major KV 261 | Eduardo Marturet, Concertgebouw Chamber Orchestra, Emmy Verhey, Wolfgang Amadeus Mozart, C. Jared Sacks, Channel Classics | E Major | 1 | 12B | 104 BPM | ||
Serenata notturna in D Major, K. 239: I. Marcia (Maestoso) | Wolfgang Amadeus Mozart, Thomas Brandis, Emil Maas, Neithart Resa, Rainer Zepperitz, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 7 | 11A | 132 BPM | ||
Concerto for 2 Pianos in E-Flat Major, K. 365: I. Allegro | Wolfgang Amadeus Mozart, Valerie Tryon, Peter Donohoe, Royal Philharmonic Orchestra, Boris Brott | E♭ Major | 1 | 5B | 132 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
Piano Concerto No. 10 in E-Flat Major, K. 365: III. Rondeau (Allegro) | Wolfgang Amadeus Mozart, Malcolm Bilson, Robert Levin, English Baroque Soloists, John Eliot Gardiner | B Minor | 1 | 10A | 104 BPM | ||
Dolly Suite, Op. 56 (1894-97): Berceuse | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | F Minor | 2 | 4A | 134 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: I. Adagio | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 147 BPM | ||
Romance for String Orchestra, Op.11 | Gerald Finzi, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Major | 1 | 4B | 80 BPM | ||
Andante spianato et Grande polonaise brillante, Op. 22: Andante spianato. Tranquillo | Frédéric Chopin, Martha Argerich | G Major | 0 | 9B | 127 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM |
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