Johann Sebastian Bach, Iona Brown, Catherine Latham, John Constable, Philip Pickett, Sir Neville Marriner, Academy of St. Martin in the Fields made "Bach, JS: Brandenburg Concerto No. 4 in G Major, BWV 1049: III. Presto" available on 1987. With this song being about 5 minutes long, at 5:22, "Bach, JS: Brandenburg Concerto No. 4 in G Major, BWV 1049: III. Presto" by Johann Sebastian Bach, Iona Brown, Catherine Latham, John Constable, Philip Pickett, Sir Neville Marriner, Academy of St. Martin in the Fields is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 13 out of 43 in Bach: Brandenburg Concertos - Orchestral Suites by Johann Sebastian Bach, Sir Neville Marriner. In terms of popularity, Bach, JS: Brandenburg Concerto No. 4 in G Major, BWV 1049: III. Presto is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Bach, JS: Brandenburg Concerto No. 4 in G Major, BWV 1049: III. Presto by Johann Sebastian Bach, Iona Brown, Catherine Latham, John Constable, Philip Pickett, Sir Neville Marriner, Academy of St. Martin in the Fields is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Prelude, Fugue and Allegro in E-Flat Major, BWV 998: III. Allegro | Johann Sebastian Bach, Park Kyuhee | D Major | 2 | 10B | 127 BPM | ||
Concerto For Lute, 2 Violins And Continuo In D, RV 93: 3. Allegro | Antonio Vivaldi, Celin Romero, Academy of St. Martin in the Fields, Iona Brown | D Major | 3 | 10B | 119 BPM | ||
Concerto For 2 Keyboards In C Major, BWV 1061: III. Vivace | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Johann Sebastian Bach | A Minor | 3 | 8A | 98 BPM | ||
Concerto Grosso in F Major, Op. 3, No. 4, HWV 315: III. Allegro | George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown | F Major | 0 | 7B | 83 BPM | ||
Handel: Organ Concerto in B-Flat Major, Op. 7 No. 3, HWV 308: IV. Menuet I & II | George Frideric Handel, Menuhin Festival Orchestra, Yehudi Menuhin, Simon Preston, Valda Aveling | B♭ Major | 2 | 6B | 108 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Anna Holbling, Quido Holbling, Daniela Ruso, Capella Istropolitana | C Minor | 1 | 5A | 92 BPM | ||
Concerto for 2 Oboes in F Major, Op. 9, No. 3: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | F Major | 3 | 7B | 104 BPM | ||
Haydn, M: Flute Concerto No. 2 in D Major, MH 105: I. Allegro moderato | Michael Haydn, Emmanuel Pahud, Haydn Ensemble Berlin, Hansjorg Schellenberger | D Major | 2 | 10B | 88 BPM | ||
Concerto grosso No. 12 in B Minor, Op. 6/12, HWV 330: III. Larghetto, e piano | George Frideric Handel, Trevor Connah, Raymond Keenlyside, Thurston Dart, Sir Andrew Davis, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 1 | 6A | 169 BPM |
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