- BPM
- 86
- Key
- F Major
- Camelot
- 7B
" La Traviata " : Amami Alfredo (Act II) - Digitally Remastered - Maria Callas Information
- Acousticness
- 99%
- Danceability
- 36%
- Energy
- 28%
- Instrumentalness
- 3%
- Liveness
- 29%
- Loudness
- 80%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 35%
- Loudness
- -11.832 dB
Summary
"" La Traviata " : Amami Alfredo (Act II) - Digitally Remastered" by Maria Callas was released on February 15, 2013. The duration of " La Traviata " : Amami Alfredo (Act II) - Digitally Remastered is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. " La Traviata " : Amami Alfredo (Act II) - Digitally Remastered's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Maria Callas's "Grandiose Stimmen: Maria Callas" album is number 6 out of 8. On top of that, Germany appears to be the country where this track was created. " La Traviata " : Amami Alfredo (Act II) - Digitally Remastered is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
" La Traviata " : Amami Alfredo (Act II) - Digitally Remastered BPM
We consider the tempo marking of " La Traviata " : Amami Alfredo (Act II) - Digitally Remastered by Maria Callas to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
" La Traviata " : Amami Alfredo (Act II) - Digitally Remastered Key
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Bachianas brasileiras No. 5 for Soprano and Cellos: Aria (Cantilena) | Heitor Villa-Lobos, Elina Garanca, Staatskapelle Dresden, Fabio Luisi | F Major | 0 | 7B | 139 BPM | |
 | Les soirées musicales: La danza (Già la luna è in mezzo al mare) | Gioachino Rossini, Carlo Pepoli, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | F Major | 4 | 7B | 69 BPM | |
 | Nel cor più non mi sento | Giovanni Paisiello, Cecilia Bartoli, György Fischer | F Major | 0 | 7B | 138 BPM | |
 | La Wally: Ebben? Ne andrò lontana | Alfredo Catalani, Miriam Gauci, Brussels Philharmonic, Ali Rahbari | E Major | 1 | 12B | 88 BPM | |
 | Il Barbiere di Siviglia: La calunnia è un venticello | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | D Major | 1 | 10B | 93 BPM | |
 | Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) | Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D Minor | 1 | 7A | 168 BPM | |
 | Le Nozze di Figaro, K. 492: Atto primo. Scene 1 & 2. N.1 Duettino Figaro, Susanna "Cinque... dieci... venti..." | Wolfgang Amadeus Mozart, René Jacobs, Lorenzo Regazzo, Concerto Köln, Patrizia Ciofi | G Major | 1 | 9B | 134 BPM | |
 | Norma (1997 - Remaster), Act II, Scene 3: Deh! non volerli vittime (Coro/Norma/Pollione/Oroveso) | Vincenzo Bellini, Maria Callas, Franco Corelli, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano, Orchestra Del Teatro Alla Scala Di Milan | A Minor | 3 | 8A | 82 BPM | |
 | Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | G Major | 1 | 9B | 95 BPM | |
| Chi vuol la zingarella (from Zingari in Fiera) | Giovanni Paisiello, Cecilia Bartoli, György Fischer | G Major | 1 | 9B | 80 BPM |
- ISRC
- DEZ041300071
- Label
- L-M Records/RCA Records
Section: 0.9901061058044434
End: 0.9958858489990234