Johann Sebastian Bach, Pierre-Laurent Aimard's 'Prelude And Fugue In G Minor (WTK, Book I, No.16), BWV 861: 1. Prelude' came out on November 14, 2020. The duration of Prelude And Fugue In G Minor (WTK, Book I, No.16), BWV 861: 1. Prelude is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Prelude And Fugue In G Minor (WTK, Book I, No.16), BWV 861: 1. Prelude's duration is considered a little bit shorter than the average duration of a typical track. The song is number 32 out of 384 in Bach Relaxed Cooking by Johann Sebastian Bach. Prelude And Fugue In G Minor (WTK, Book I, No.16), BWV 861: 1. Prelude is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Prelude And Fugue In G Minor (WTK, Book I, No.16), BWV 861: 1. Prelude by Johann Sebastian Bach, Pierre-Laurent Aimard is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for Flute or Violin No. 5 in E Minor, BWV 1034: III. Andante (Transcr. for Mandolin and Continuo by Avi Avital) | Johann Sebastian Bach, Avi Avital, Ophira Zakai, Ira Givol, Shalev Ad-El | G Major | 0 | 9B | 109 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 181 BPM | ||
Cello Sonata No. 3 in A Major, Op. 69: III. Adagio cantabile | Ludwig van Beethoven, Mischa Maisky, Martha Argerich | E Major | 0 | 12B | 89 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: (Allegro) | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | E Minor | 1 | 9A | 81 BPM | ||
Concerto for Oboe & Violin in C Minor, BWV 1060R: II. Adagio | Johann Sebastian Bach, Lisa Stewart, Christian Hommel, Kolner Kammerorchester, Helmut Muller-Bruhl | C Minor | 1 | 5A | 95 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Sonata in G major, Wq. 62/19: 2. Andante | Carl Philipp Emanuel Bach, Mikhail Pletnev | B Minor | 0 | 10A | 98 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Trio In G Minor, BWV 929 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM |
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