Johann Sebastian Bach, Avi Avital, Ophira Zakai, Ira Givol, Shalev Ad-El's 'Sonata for Flute or Violin No. 5 in E Minor, BWV 1034: III. Andante (Transcr. for Mandolin and Continuo by Avi Avital)' came out on January 1, 2012. The duration of Sonata for Flute or Violin No. 5 in E Minor, BWV 1034: III. Andante (Transcr. for Mandolin and Continuo by Avi Avital) is about 3 minutes long, at 3:18. Based on our data, "Sonata for Flute or Violin No. 5 in E Minor, BWV 1034: III. Andante (Transcr. for Mandolin and Continuo by Avi Avital)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 12 out of 13 in Bach by Johann Sebastian Bach, Avi Avital. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Sonata for Flute or Violin No. 5 in E Minor, BWV 1034: III. Andante (Transcr. for Mandolin and Continuo by Avi Avital) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Sonata for Flute or Violin No. 5 in E Minor, BWV 1034: III. Andante (Transcr. for Mandolin and Continuo by Avi Avital) by Johann Sebastian Bach, Avi Avital, Ophira Zakai, Ira Givol, Shalev Ad-El is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, J.S.: Concerto for 2 Violins in D Minor, BWV 1043: III. Allegro | Johann Sebastian Bach, Itzhak Perlman, Pinchas Zukerman, English Chamber Orchestra, Daniel Barenboim | D Minor | 3 | 7A | 94 BPM | ||
Concerto pour violon "Les Rainettes", en La Majeur: Concerto pour violon "Les Rainettes", en La Majeur: I. Ohne Satzbezeichnung | Georg Philipp Telemann, Midori Seiler, Stephan Mai, Akademie für Alte Musik Berlin | A♭ Major | 2 | 4B | 117 BPM | ||
Flute Sonata in E Minor: II. Allegro assai | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 120 BPM | ||
Trio Sonata in B-Flat Major, H. 584, Wq. 158: III. Allegro | Carl Philipp Emanuel Bach, London Baroque | F♯ Major | 1 | 2B | 99 BPM | ||
Pavanne in F-sharp minor | Louis Couperin, Richard Egarr | E Minor | 1 | 9A | 68 BPM | ||
Sonata in G Minor, BWV 1020: II. Adagio | Johann Sebastian Bach, Marina Piccinini, João Luiz, Douglas Lora | E♭ Major | 0 | 5B | 71 BPM | ||
Sonata for Violin and Basso Continuo in G Major, TWV 41:G1: III. Adagio | Georg Philipp Telemann, Boris Begelman | E♭ Minor | 1 | 2A | 49 BPM | ||
Konzert für zwei Flöten, Streicher und Cembalo, RV 533 | Musici di San Marco, Alberto Lizzio | F♯ Major | 1 | 2B | 115 BPM | ||
Guitar Quintet No. 7 in E Minor, G. 451: I. Allegro moderato | Luigi Boccherini, José Miguel Moreno, La Real Cámara | E♭ Minor | 1 | 2A | 118 BPM | ||
Prelude and Fugue in B flat major, BWV 560: Fugue | Amsterdam Loeki Stardust Quartet | A Major | 0 | 11B | 122 BPM |
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