Carl Philipp Emanuel Bach, Mikhail Pletnev's 'Sonata in G major, Wq. 62/19: 2. Andante' came out on January 1, 2001. The duration of Sonata in G major, Wq. 62/19: 2. Andante is about 3 minutes long, at 3:07. Based on our data, "Sonata in G major, Wq. 62/19: 2. Andante" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 16 out of 22 in Bach, C.P.E.: Sonatas & Rondos by Carl Philipp Emanuel Bach, Mikhail Pletnev. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Sonata in G major, Wq. 62/19: 2. Andante is currently average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Sonata in G major, Wq. 62/19: 2. Andante by Carl Philipp Emanuel Bach, Mikhail Pletnev is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Clavier-Sonaten für Kenner und Liebhaber, Book 4, Wq. 58: No. 7, Fantasia in A Major | Carl Philipp Emanuel Bach, Tini Mathot | D Major | 2 | 10B | 79 BPM | ||
Drei Intermezzi, Op. 117: I. Andante moderato | Johannes Brahms, Arcadi Volodos | E♭ Major | 0 | 5B | 75 BPM | ||
6 Moments musicaux, Op. 16: No. 5, Adagio sostenuto | Sergei Rachmaninoff, Boris Giltburg | E Minor | 2 | 9A | 126 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
V. May. White Nights | Pyotr Ilyich Tchaikovsky, Mikhail Pletnev | F Major | 1 | 7B | 144 BPM | ||
Keyboard Sonatina In C Major, Op. 36, No. 3: II. Un Poco Adagio | Muzio Clementi, Balazs Szokolay | G Major | 0 | 9B | 170 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Cello Concerto No. 2 in D Major, Hob. VIIb:2: II. Adagio | Franz Joseph Haydn, Andreas Brantelid, Concerto Copenhagen, Lars Ulrik Mortensen | A♭ Major | 0 | 4B | 112 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM |
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