"Concerto for Oboe & Violin in C Minor, BWV 1060R: II. Adagio" by Johann Sebastian Bach, Lisa Stewart, Christian Hommel, Kolner Kammerorchester, Helmut Muller-Bruhl was released on June 24, 1997. With this song being about 5 minutes long, at 4:51, "Concerto for Oboe & Violin in C Minor, BWV 1060R: II. Adagio" by Johann Sebastian Bach, Lisa Stewart, Christian Hommel, Kolner Kammerorchester, Helmut Muller-Bruhl is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Johann Sebastian Bach, Christian Hommel, Kolner Kammerorchester, Helmut Muller-Bruhl's "J.S. Bach: Oboe Concertos" album is number 14 out of 15. In terms of popularity, Concerto for Oboe & Violin in C Minor, BWV 1060R: II. Adagio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto for Oboe & Violin in C Minor, BWV 1060R: II. Adagio by Johann Sebastian Bach, Lisa Stewart, Christian Hommel, Kolner Kammerorchester, Helmut Muller-Bruhl to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Concerto No. 4 in A Major, BWV 1055 (Arr. M. Munclinger for Flute and Orchestra): I. Allegro | Johann Sebastian Bach, Jean-Pierre Rampal, Milan Munclinger, Ars Rediviva Orchestra Of Prague, Ars Rediviva | C Major | 3 | 8B | 102 BPM | ||
Nocturne concertant, Op. 47 | Christian Hommel, Dorothea Eppendorf | C Major | 1 | 8B | 125 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Bach, JS: Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: II. Adagio ma non tanto | Johann Sebastian Bach, Sir Neville Marriner, Anthony Jenkins, Charles Medlam, Denis Vigay, John Constable, Raymund Koster, Stephen Shingles, William Hunt, Academy of St. Martin in the Fields | C Minor | 0 | 5A | 72 BPM | ||
Concerto In The Italian Style, BWV 971, "Italian Concerto": II. Andante | Janos Sebestyen, Johann Sebastian Bach | D Minor | 1 | 7A | 131 BPM | ||
Bach, JS: Piano Concerto No. 5 in F Minor, BWV 1056: III. Presto | Johann Sebastian Bach, Sir Neville Marriner, Andrei Gavrilov, Academy of St. Martin in the Fields | F Minor | 2 | 4A | 112 BPM | ||
Brandenburg Concerto No. 2 in F, BWV 1047: 3. Allegro assai | Johann Sebastian Bach, Chamber Orchestra of Europe, Mark Bennett, Thierry Fischer, Douglas Boyd, Marieke Blankestijn | F Major | 4 | 7B | 107 BPM | ||
Ryoanji I | John Cage, Christian Hommel | D Major | 2 | 10B | 89 BPM | ||
Ryoanji III | John Cage, Christian Hommel | F Minor | 2 | 4A | 132 BPM | ||
Dmaathen | Iannis Xenakis, Christian Hommel, Johannes Fischer | C Minor | 2 | 5A | 102 BPM |
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